“Typical Oscar fodder” The Revenant review


THE REVENANT (UK Cert 15)

Director: Alejandro G. Iñárritu

Music: Various

Starring: Leonardo DiCaprio, Tom Hardy, Will Poulter


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By Adam Brannon

There are two types of film critic when it comes to the Academy Awards. Those who enjoy the glamour that the Oscars bring every spring and those who despise what the awards mean for film. I’m in the latter camp, I find them out of touch with what movie-watching audiences enjoy and feel an overhaul is necessary to reflect that.

That’s not to say the Oscars reward bad films of course. Not at all. I do feel however that they, on the whole, reward technical brilliance, rather than the deeper aspects of movie-making and forget to include mass-market crowd-pleasers for fear of cheapening the ceremony.

The film everyone is talking about this year is The Revenant. With an incredible 12 nominations, it’s the one to watch in 2016. But is it actually any good?

With Birdman director Alejandro G. Iñárritu at the helm, it promises more of the exceptional performances and technical perfection he brought to that film, and that’s exactly what you get.

Leonardo DiCaprio, nominated for yet another Academy Award, stars as Hugh Glass, a hunter left for dead by his supposed comrades after a vicious bear attack leaves him gravely injured. He is supported by man-of-the-moment Tom Hardy, nominated for a Best Supporting Actor award, and British rising star Will Poulter (The Maze Runner).

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Leonardo DiCaprio. Photo by 20th Century Fox

DiCaprio’s Glass is a commanding presence throughout The Revenant as he tracks down those who betrayed him. With little English dialogue, it’s impressive that he is able to convey such emotion, but he does so perfectly. He’s certainly worthy of his Oscar nod, but whether or not he will be fifth time lucky remains to be seen.

Elsewhere, the cinematography that Iñárritu uses is nothing short of breath-taking. Beautiful lingering shots of snow-capped mountains, icy waterfalls and baron forests all make for a documentary-level of awe and it’s here where the film succeeds the most.

Unfortunately, the rest of The Revenant falls a little flat. The story is incredibly pedestrian considering the film’s 156 minute running time and whilst the cast are all excellent, the material is a little staid ranging from the ordinary, to the bizarre. One scene in particular had me remembering The Empire Strikes Back of all films.

The intriguing plot that Iñárritu brought to Birdman is nowhere to be seen here and as the film reaches its mightily predictable conclusion, it runs out of steam. There’s only so much landscape, however beautiful, that you can throw at an audience.

Overall, The Revenant is a technical masterpiece, flanked by impressive performances from Leonardo DiCaprio and Will Poulter in particular, but the story just isn’t there. It may have a dozen award nominations to its name, but in this case, it’s nothing more than style over substance.

Category Scoring out of 5 ⭐        
Story/Plot ⭐ ⭐ ⭐
Acting/Vocal Performance ⭐ ⭐ ⭐ ⭐
Special Effects/Cinematography ⭐ ⭐ ⭐ ⭐ ⭐
Soundtrack ⭐ ⭐ ⭐
Costume/Film Design ⭐ ⭐ ⭐ ⭐
Script/Dialogue ⭐ ⭐ ⭐
OVERALL RATING ⭐ ⭐ ⭐ 1/2

2 thoughts on ““Typical Oscar fodder” The Revenant review

  1. Good review Adam, I viewed ”The Reverant” Last week. I agree with you, the film in my opinion becomes boring after awhile. But Tom Hardy Gives a Brilliant performance as the Antagonist. very convincing american accent for a British actor. However i Agree with you, when you claim that the academy is out of touch with the movie going public at Large. I agree that the academy pride’s its self in technical art-form, But the Academy is Missing the point in not Being more Diverse. The academy awards is mostly about the Hollywood community just simply that.

  2. Pingback: The Movie Metropolis Alternative Oscars | Movie Metropolis UK

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