Are we ever going to see a day when superhero movies don’t dominate the release schedule? It seems as if a new one materialises every week. If it’s not the latest cookie-cutter Marvel movie or yet another DC extended universe disaster, then it’s a tedious new standalone project promising to ‘put a dark spin on the genre’ or ‘take it in a new direction’.
Now I’m not saying all superhero films are bad, in fact, I have enjoyed a great deal of them over the years. Whether it be Nolan’s Dark Knight trilogy or the MCU’s Infinity saga, the genre has undoubtedly peppered the cinematic landscape with some truly great moments over the past two decades. But when will it end? How much more juice can we squeeze out of this thoroughly dehydrated lemon?
Animated kids films have, over the years, gone from strength to strength. With franchises like Toy Story and Frozen, and indie animations like 2019’s Klaus, it’s clear to see that children are hardly deprived of top-notch filmmaking. Netflix’s latest foray into the cartoon business is The Willoughbys: an energetic, colourful, and plain weird take on family life, based on the book by Lois Lowry.
The Willoughbys follows the Willoughby family: a red haired, spectacularly moustachioed cohort that are known, throughout history, for doing creative and courageous things. However, Mother and Father Willoughby are more interested in each other than their four children, leaving them to live with no food, no fun, and no love. After a child is left on their doorstep one night, the Willoughby children hatch a plan to become orphans themselves – but it doesn’t quite go how they were planning.
As we are all well and truly in lockdown mode both in the UK and across the majority of the globe right now we don’t need to feel guilty about missing that party or turning up late to the pub for Friday night drinks, and can simply, Netflix and chill.
Here is a list I have put together of some compelling films currently available to watch on the streaming service, Netflix. There isn’t a particular theme here, but I have tried to cover all bases with the choices I have made. That being said you could say this list goes from darkest to lightest. Continue reading →
Like something from American Psycho (Mary Harron, 2000) and the film’s clever opening credits in which we see raspberry coulis dripping on a white dinner plate, looking a lot like blood. The Platform in a similar sense shows decadent cuisine that represents class structures and the violence that will prevail around these tiers. In its opening, e witness a high-class banquet preparation which is then contrasted by the people below, the ones who are imprisoned in a hole.
The hole is a strange high tech concept that is like solitary confinement but with changing inmates. We meet the main newcomer Goreng (Ivan Massagué) and an older grisly man, Trimagasi (Zorion Eguileor) who has nearly completed his journey and is no stranger to this setup. However, this is not a prison system as such, and we learn that Goreng has chosen to be here. As it is explained by the company’s Imoguiri, the familiar Spanish actor Antonia San Juan (All About My Mother), it is a “Vertical Self- Management Center”.Continue reading →