The Purge series has set itself as one of the front-runners in modern horror. The first film, starring Ethan Hawke, was a huge success, bringing with it one of the best stories seen in the genre for decades.
Its successor, Anarchy, was warmly received – namely for its greater focus on the night of crime itself, rather than the plight of one family. Naturally, another sequel was always going to be on the cards and Election Year continues the franchise. But does it continue the positive trend? Continue reading
2016 really does belong to Disney. The House of Mouse has been churning out some incredible films this year with the live-action remake of The Jungle Book proving sceptical audiences (and critics) completely wrong.
The BFG was a pleasant and inoffensive adaptation of Roald Dahl’s wonderful novel and Finding Dory got Pixar back on the right track, and let’s not forget Captain America: Civil War, by far the best superhero film of the year.
Here, Disney continues its trend with recreating its classic cartoons in live-action; resurrecting Pete’s Dragon. But is this remake of the 1977 film of the same name as good as The Jungle Book? Continue reading
Foreword by Adam Brannon: Aiming to give budding writers their chance to shine, the Movie Metropolis Spotlight is focused on Sebastian Mann, who in his first article for the site, takes a look at some of the greatest Star Wars moments ever.
Sebastian Mann, of Mannversusmovie, takes a spoiler-filled (and that means spoiler-filled) look at the top 5 greatest Star Wars moments, from action-packed sequences to heart-breaking character moments, celebrating the release of the second theatrical trailer for the upcoming Rogue One: A Star Wars Story.
Star Wars is, if nothing else, unique.
There exists no other franchise where almost half the entries are so vehemently detested by those who maintain an unbreakable devotion to the other half.
Star Wars, whether you’re a purist, a passive fan, or you’ve only seen The Force Awakens in cinema and didn’t really get the hype behind that old guy with the beard, is undeniably important to both cinema and popular culture.
By Rob Stoakes
Today, friends, I don’t come at you as an objective movie critic, but as a raging fanboy, because for all of the attempts to put aside my biases and get over my prejudices, I just can’t do it. However irrational, however nonsensical, however many times I hear how great it is and how important to cinema the franchise is, I will always utterly despise Bourne.
Paul Greengrass is to me what Uncle Ben’s murderer is to Spiderman. He is the instigator and the embodiment of everything I hate in modern action. An over-reliance on shaky cam to make action look more dramatic. A plot at once over-complicated and overly simplistic, filled with conspiranoia about some shady government official without ever having the nuts to say that the government is flat out the bad guy. Continue reading
By Adam Brannon
It’s hard to remember such a lacklustre summer blockbuster season. From unnecessary sequels to underwhelming novel adaptations, it’s been one disappointment after another.
After the criticism of spring’s Batman v Superman, DC Comics and Warner Bros. really needed a hit on their hands if they were to compete with the Marvel Cinematic Universe. Suicide Squad is their answer, but after an exhaustive marketing campaign, is the final product any good? Continue reading