2012, the year Drew Goddard made his directing debut with The Cabin in the Woods, which is one of my favorite horror movies and my favorite horror-comedy. It managed to combine humor and horror in a fun, creative romp. Six years later, Bad Times at the El Royale had its first trailer released and it was amazing! It had style, it had mystery, it had comedy, it even had an open-shirt Chris Hemsworth dancing menacingly toward the camera.
It had everything. I tried to stay away (in vain) from other trailers over the next 4 months, only seeing one brief trailer which gives something away about Jon Hamm’s character. When I finally saw Bad Times Thursday night, I was extremely excited, especially after seeing the great score it had received on Rotten Tomatoes and Metacritic. Two hours and twenty minutes later, I walked out and… well, let’s discuss. Continue reading
Halloween 1978 and little-known director John Carpenter terrifies thousands of impressionable horror fans with the introduction of ‘The Shape’. Jamie Lee Curtis becomes the new ‘scream queen’ and all is well in the world of the slasher genre.
Fast-forward to 2009 and Rob Zombie directs the sequel to his reasonably successful remake of Halloween, but it was poorly received by critics and audiences alike. Why? Well Zombie’s grungy, rock-anthem vibe didn’t really sit too well with Michael Myers and the result was a distasteful and messy outing that set the franchise back nearly 10 years.
Of course, in between 1978 and 2009, the series was ripped apart, put back together again until it was a shadow of its former self. Anyone remember Busta Rhymes doing a vague impression of a karate master in Halloween: Resurrection? Best forget about that. Continue reading
D.R Hood’s debut feature film, Wreckers starring Benedict Cumberbatch and Claire Foy, was met with critical acclaim. For me, Wreckers was a film that clung to me weeks, even months after I watched it; simply put, it was an emotional sucker punch that blindsided me with just how powerful the story was. D.R Hood focused her directorial eye on the fractious nature of human relationships and kept her finger on zoom until watching each scene unfold became unbearable, yet I was unable to look away.
Her latest feature film, Us Among the Stones promises to be a brooding, raw tale about family and the significance of history and place. Movie Metropolis spoke to Dictynna Hood to talk about Us Among the Stones, what it takes to make a feature film and how she creates her characters. Continue reading
Is there anything better than going to the movies? The experience of watching some of your favourite characters on the biggest screen imaginable is an incredibly exciting way to spend an evening.
However, since 2002, the UK film industry has seen cataclysmic changes that have altered cinema for absolutely everyone who loves movies. Whether you’re young or old, the introduction of the 12A certification by the British Board of Film Classification now means films are more accessible to more people than ever before. Continue reading
Did you know that Alaska is the largest state of the United States? Or that Alaska is the only state name that can be typed on only one row of keys? Crazy to think, but true. More often than not, Alaska in cinema is represented as ambiguous and isolated from the rest of the world. And if those fun facts didn’t do it, think John Carpenter’s terrifying Thing or the movie and television series Fargo and the countless aliens that converge in Alaska to commit their abductions.
Alaska is the perfect setting to convey a mysterious and foreboding story. Hold the Dark (2018) is no different. Netflix’s newest drama takes place in desolate and cold Alaska. But does it do anything new and worthwhile in good ol’ Alaska? Or does it settle for safety in this familiar space? Continue reading