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The Rip review “Just another tacky action film… WHAT??”

To say I was pleasantly surprised at this brand-new Netflix action film would be an understatement. I admit that perhaps my own film snobbery prevented me from going into it without preconceptions of typical action straight-to-streaming films.

If it wasn’t for a superb cast, including legends of Hollywood Matt Damon and Ben Affleck, I may have given this one a miss- thank goodness I didn’t because what followed was a thrilling mystery that kept me locked in throughout its run time.

Gritty reality of crime

This film knows how to keep an audience, jumping straight into the action. However, unlike some films that have an exciting early segment that bears no importance to the plot, The Rip gets straight into a mystery that binds the plot.

Matt Damon and Ben Affleck in The Rip.

The lighting is dimly lit, and the first few sequences are reminiscent of a traditional noir flick, setting the tone for the dark reality our characters find themselves in.

The film does not change this style till the end of the film with a climactic, perhaps overblown, finale.

Affleck and Damon, what’s not to love?

Ben Affleck and Matt Damon perfectly portray long-in-the-tooth, world-weary cops reeling from great personal losses. The two’s chemistry makes this film.

The two performances enhance every dramatic beat. Portraying the moral ambiguity of the characters perfectly.

It is unclear throughout the film who we, as the audience, are meant to be rooting for, which just makes it all the more gripping. A stellar performance from Steven Yeun only enhanced this feeling.

The performances from the cast made the film unpredictable in the best way. Often in cinema, there are two ways that twists can fail- being too impossible to guess or being too easy to figure out. The Rip did not fall into either of these traps; it was clever. Everything made sense upon reflection, but nothing did in the moment. This is, in my opinion, what makes a good twist.

Overdone final

Despite the quality of the first two acts, I found the finale to this film somewhat off the pace. Once the mystery had been revealed, it reverted to some cliche action film tropes, a chase scene and a shootout.

Whilst still enjoyable, the sudden shift from gripping thriller to fast-paced action did not sit entirely well with me. This film performed best as a slow burn, but when that fire went out in the final sequences, it had not fully landed the impact it was aiming for.

This perhaps mistimed climax weakened the film as a whole, and the ending of all the characters left a lot to be desired.

Definitely worth a watch

Whilst the film definitely fell short in some departments, if you’re a fan of thrillers, this one is certainly for you. Well-written mystery immersed in suspense is what hides in this otherwise unassuming Netflix movie.

Rating: 3.5 out of 5.

Behind the Scenes of How to Start a Cult in 5-Easy Steps: An Interview with Wes Clark

Making a film is often a journey of passion, discipline, and creativity. In this interview with director Wes Clark, we dive deep into the mind of the filmmaker behind How to Start a Cult in 5-Easy Steps, exploring the inspirations, challenges, and lessons learned along the way. From dark comedy to self-distribution, here’s an inside look at the story behind the story.

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Train Dreams review “The dead tree is as important as the living one”

Train Dreams, based on the Novella by Denis Johnson, premiered at the Sundance Film Festival in January of 2025. Recently making its way to Netflix, I watched it to try to understand what all of the hype was about for this stunning picture.

The plot is simple, centering on the life of a hard-working Robert Granier- played by Joel Edgerton. Through the decades, we see Robert go through the highs and lows of a constantly changing United States during the 20th century. It is not the world that the film draws attention to though, but Robert’s personal struggles to find his way and meaning in life.

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Marty Supreme review “A bold portrait of single‑minded obsession”

After one of the boldest, most inventive marketing campaigns for an “independent” film in recent memory, does Marty Supreme, A24’s unhinged Ping-Pong picture live up to the hype?

Directed by Josh Safdie, Marty Supreme follows the exploits of an American table-tennis prodigy in the 1950s, but don’t let that simple synopsis fool you… Marty Supreme is far from a conventional sports flick. Instead, Marty is no plucky underdog or inspirational hero; he’s a narcissistic, arrogant scumbag who’ll stop at nothing to achieve his aspirations. The film’s tagline, Dream Big, is fully embodied in its lead character, but his actions are far from inspirational.

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The Housemaid review “Serving secrets, one at a time”

Based on the 2022 novel of the same name by Freida McFadden, The Housemaid is a stylish psychological thriller packed with twists, turns, and some standout performances from a very talented cast. But does this campy thriller manage to hold the audience’s attention, or does it ultimately outstay its welcome?

Hoping for a fresh start after a troubled past, Millie (Sydney Sweeney) becomes a live-in maid for the wealthy Winchesters, played by Amanda Seyfried and Brandon Sklenar, a couple who harbour more than a few sinister secrets.

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Avatar: Fire & Ash review “James Cameron still rules the big screen, bro”

I’m shivering at the thought as I write this, but would you believe it’s been 16 years since James Cameron first brought Avatar to the big screen?

Initially lambasted upon release – and failing to take quite as much money as many expected during its opening weekend – the film went on to gross nearly $3 billion worldwide, becoming the highest-grossing film of all time.

Cameron always insisted Avatar was designed as a multi-film experience, unfolding over many years, though I don’t think any of us were prepared for just how literal he was being. The second film, The Way of Water, didn’t arrive until 2022 – a full 13 years later. Despite that, it now sits comfortably as the third highest-grossing film ever, beaten only by its predecessor and Avengers: Endgame.

Fast forward three more years and Cameron is back again. But has 16 years been kind to the series? Or is it finally running out of steam with Fire & Ash?

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Wicked: For Good review “No good deed goes unpunished”

As one of the world’s most popular musicals, it always felt inevitable that the film adaptation of Wicked would land well with fans – and, by extension, the box office. Even so, last year’s Wicked “defied gravity”  – see what I did there, by soaring to nearly $760 million worldwide, becoming the highest-grossing movie musical of all time and the fifth highest-grossing film of 2024. That’s no mean feat for this genre.

A huge part of that success came from the show’s existing popularity, of course, but Ariana Grande and Cynthia Erivo’s electric chemistry, combined with Universal Pictures’ fantastic marketing campaign, certainly helped seal the deal.

What was less warmly received was the decision to split the musical into two films. Fans widely lamented the choice, arguing that the second half of the stage show – which follows Elphaba’s iconic Defying Gravity moment – simply isn’t as strong. So how does the follow-up, Wicked: For Good, shape up?

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Behind the mask: Thomas Beatty on The Hook and the art of authentic storytelling

Independent filmmaking thrives on authenticity, collaboration and a little bit of creative chaos — all of which pulse through The Hook, the striking new project from rising filmmaker Thomas Beatty.

Fresh from its success at Bournemouth Film Festival, where it picked up awards for Best Editing and Best Original Song, the film is already generating the kind of word-of-mouth buzz most indie directors can only dream of.

In this exclusive interview with Movie Metropolis, Tommy reflects on the film’s organic evolution, from its inception by Charlie Freeman, Elijah Rowen and Jack McEvoy, to the intensely collaborative process that shaped everything from its visuals to its music.

With festival runs, a planned release next year and an upcoming vampire series already in the works, this is a filmmaker firmly on the rise.

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