Jane Austen is responsible for many of the world’s most beloved romance novels. From Pride and Prejudice, to Sense and Sensibility, she has paved the way for the modern rom-com. Her tales have graced both the big and little screen in the form of period dramas, and 90s LA girl fantasies.
However, Emma (arguably Austen’s funniest work) isn’t necessarily the first novel you think of when you think about the iconic author. Its most recent adaptation, directed by Autumn de Wilde, is a full-on, aesthetic overload, with frills left, right, and centre. But, is it any good? Continue reading
The Universal Monster films are the original MCU. With their interconnectivity and recurring characters, these serialized adventures were our first look at franchises which could crossover. One of the characters who received multiple films is The Invisible Man. At time of writing, I’ve only seen the first two Invisible Man films, the first of which is an extremely goofy romp that’s enjoyable to watch.
The second is a boring mess that spoils nearly all of the goodwill the first one had. Nevertheless, for the start of the Dark Universe, we were told that it would include an Invisible Man film starring Johnny Depp. Luckily, because that sounds awful, the Dark Universe’s triumphant first firing of the Dark Universe Cannon ended up being The Mummy (2017), which ended up tipping the cannon over right into the offices at Universal Studios and blowing a hole through the office. Continue reading
The last time Pixar released two films in the same year was 2015. The first of their double act ended up being one of their best, Inside Out. A touching, beautifully animated adventure that ranks highly alongside Up, Wall.E and of course the Toy Story series.
Unfortunately, their second effort, The Good Dinosaur was by all accounts, a bit of a mess. Released by any other animation studio, The Good Dinosaur would have been perfectly serviceable, but it lacked the usual Pixar sparkle, despite some incredible animation.
Fast forward five years and Pixar are at it again; releasing two films in the same year. Soul is out in cinemas later in 2020, but our first contender is Onward. But is it up to the standard of Pixar’s classics, or more akin to their forgettable adventures? Continue reading
It has been hard to avoid the recent uproar that has plagued America. Police brutality towards people of colour has only grown in recent years, with the popularity of social media sites, like Twitter, only increasing the number of people outraged by it. The recent release of the black written and directed Queen & Slim, showed just how prevalent it is within marginalised communities in the United States.
The movie follows a couple, as a Tinder date turns into an altercation with a racist police officer and the shooting of that same policeman. Suddenly, the couple are on the run, swerving the law with the help of their own community. Continue reading
I’ve lived a lot of places, and therefore, I’ve met a lot of people with different birthdays. I know someone that turned 18, and celebrated by seeing Avengers: Endgame on its opening night. I also know people that got to see movies like Knives Out, Toy Story 3, and Dawn of the Planet of the Apes. And what was I so lucky to get for my birthday? None other than the new Tiffany Hadish and Rose Byrne film, Like a Boss.
This is a film with some people that have shown they are funny in the past, Salma Hayek in The Hitman’s Bodyguard, Rose Byrne in Instant Family, and Tiffany Haddish in [no movies found], so the fact that this movie would be garbage wasn’t a given.
However, shocking everyone in the cinema landscape, Like a Boss is one of the worst films of the year. I know the year is still early, but seriously, I can’t imagine it leaving the bottom five, even with the sequel to After coming out soon. So, what could make a movie so bad that I declare it one of the years worth with another 48 weeks of movies left to come out? Well, come with me, and I’ll show you a whole world of garbage, with this review of Like a Boss. Continue reading