There are only so many new formulas a romantic comedy can take. Soon, the magic of the boy-meets-girl meet cute starts to wear off, and you’re just left with the same old movie, but with different people playing the same characters. The most successful rom-coms tend to follow formulas of their own creation, bringing something new and exciting to the world of love. Netflix’s newest release, The Perfect Date, tries to do just that: but does it succeed?
The Perfect Date follows Brooks Rattigan (Noah Centineo), a kid from the poor side of town who has big dreams, but not a lot of money to follow them through. After being paid to take a girl (in this case, Laura Marano of Austin & Ally fame) on a date, he devises a plan to become rentable: he’ll go with you wherever you want to go, as whoever you want to go with. Basically, he’s a non-illegal male gigolo who doesn’t have a human pimp but has an app instead. Sound interesting? Continue reading
Peele’s sudden and swift success with Get Out (2017) left many wondering if the sketch comedian turned director really could be the horror pantheon’s saviour. After a lean half century brimming with blood, gore and gratuitous torture porn, the genre emerged into something of a renaissance. Following the release of Get Out came a swath of imaginative and intelligent thrillers like Raw (2016), The Babadook (2014) and It Follows (2014) and the horror genre began to establish itself as the go-to vehicle for social commentary.
By far the most commercially successful iteration was Get Out, which grossed just over $250 million worldwide. But after such overwhelming success, could Peele really do it again with Us? Well, the answer is yes. Just as Get Out was a chilling survival horror that had oh-so-relevant things to say about the African-American experience, Us is a chilling survival horror that equally has a significant amount to say about duality, privilege and the swelling vein of apathy running through the heart of America. Continue reading
After Stan & Ollie finished, all I could think of was Bohemian Rhapsody. This was not unusual for me at the time. Bryan Singer’s travesty that we were politely referring to as a “movie” had really wormed its way into my psyche. Not just because it was so bad— and it was so unbelievably bad— but also because everyone seemed to like it. When I asked anyone why their answer was “it’s about Queen, why wouldn’t I like it?”
This shouldn’t surprise me, of course, people love biopics. There’s something exciting about seeing people who were real brought to life on screen. The issue is that biopics are often awful. There exists, I think, a desire to capture every part of a person’s life. Continue reading
There has been an influx of movies about legendary singers and bands in recent times. From the Oscar-winning Bohemian Rhapsody to the soon-to-be-released Elton John biopic, Rocketman, audiences have been screaming out for their eyes and ears to be satisfied at the same time. It seems only fitting, then, for one of the biggest rock bands of the 80s to also get their own flick.
The Dirt follows the legendary group Motley Crue, as we chart their rise from messing about in their apartment to playing to thousands of people all over the world. It’s a tale of debauchery, hedonism, and downright dirtiness – but at least it lives up to its name. Continue reading
Ah, the DCEU, probably one of the most inconsistent franchises there is. They started off with the so-so Man of Steel, then the incredibly dull Batman V. Superman, then one of my least favorite films ever Suicide Squad, the overall decent Wonder Woman, the mediocre Justice League, and my personal favorite, Aquaman. Now they come to us with Shazam, which had a fantastic trailer.
They made a trailer which looked like it was bringing wonder back to the superhero genre. I was super excited, and when I learned of advance screenings, I bought my tickets immediately. When I actually saw it, I sat there for two hours and twelve minutes, and when it ended, I was thoroughly feeling like I was brought back… to a superhero movie from 2013, but I’ll get into that. Let’s just get into the movie as a whole. Continue reading