Color is something we often talk about with movies. Movies like The Grand Budapest Hotel and Blade Runner 2049are movies frequently discussed for their beautiful color palettes, but before we were talking about colorful movies, we talked about their colorful titles. Many of my favorite movies have colors in the title. Soylent Green’s political intrigue, R.E.D’s hilarious moments and witty dialogue, or the combination of all of those things in Primary Colors, which is a great movie which has not been thought of at all during this very fun campaign year in America.
However, if you ever asked someone to name a movie with a color in the title, they’d say The Pink Panther. A classic comedy which gave us a franchise that lasted almost fifty years before Steve Martin brutally murdered it with two very unfunny films. So how good was the starting point in order to form an eleven film franchise?
J.A. Bayona is one of the most exciting directors working today, a bold statement that maybe, but in this review, I’ll tell you why. His knack for creating superbly shot, engaging films like The Orphanage and The Impossible has meant many in Hollywood have been keeping an intrigued eye on him.
His hard work paid off in 2018 when it was announced he would be taking over directorial duties on the Jurassic World sequel, Fallen Kingdom, and despite a less than stellar critical response, no-one could argue that it was the most beautiful film in the Jurassic saga. Before he took on that behemoth of a movie however, Bayona was busy working on A Monster Calls, based on the book of the same name by Patrick Ness. But how does it stack up when compared with the rest of the director’s resume?
So originally I was going to open this article by making a dark oke about how Woody Allen and I are kinda similar because we both like old movies, are sarcastic and date girls born in the early 2000s, but after watching twenty two of his forty eight films, I found myself unable to continue on this project, and I feel the need to explain why. I started this project by watching the films that were commonly regarded as the best, so films like Annie Hall, Midnight in Paris, and other such films which aren’t on either list.
But then those got kind of bland and weren’t breaking into the top five anymore, so I decided to reverse the plan and pad the worst films list by watching the least liked Woody Allen films like Curse of the Jade Scorpion or Scoop. Those got even more bland and dull!
So twenty two films in, I called it quits, as I couldn’t bring myself to watch another movie about a man who hates himself and everyone else, cheat on/be friends with someone who cheats on their wife, with themes about how great New York City is, even though they admit that city still kinda sucks. I also knew that nothing would be better than the films I had already watched, and that any additions to the worst films list would have made me question my love of movies altogether. So, let’s get into the best and the worst Woody Allen films.
The time has arrived: my first visit back to the cinema since COVID-19 swept across the globe. It’s hard to believe that it was over six months ago that I was last sitting in the cinema, enjoying the magic of the big screen.
Nevertheless, the day has come, and with it, the release of Christopher Nolan’s latest epic, Tenet. As is the case with Nolan’s movies, a lot of fanfare accompanies their arrival and as one of the most exciting filmmakers working today, so it should. But how good is Tenet? Are we looking at another Nolan masterpiece?
And forgive me if I’m a little rusty, it’s been a long time!
Before I was the movie aficionado we all know and begrudgingly tolerate, I was a different kind of aficionado, one of DC comic books. Due to this, I find the DC Animated Universe very interesting, as they can tell the stories that I loved to read years ago like Suicide Squad: Hell to Pay and give the story it’s due, while the DCEU films about those same stories like Suicide Squad fall flat on its face, onto a set of stairs, tumbling down them and breaking every single bone. The DCAU has virtually led to this.
Aside from a few very interesting diversions into the multiverse such as Superman: Red Son or Batman: Gotham by Gaslight, the story of the DCAU has all been building to Darkseid destroying Earth with films like Reign of the Supermen and Justice League: War all coming to a head here. Last year showed us that it is possible for major superhero franchises that have been going on for years to end a storyline really well with Avengers: Endgame. In fact, Endgame did such a good job at this, that Apokolips War lifts a large amount of it’s story from Endgame. Continue reading →