This is going to be a difficult movie to review. Not because I don’t have clearly defined thoughts on it, not because I disagree with the consensus between both critics and audiences, it’s because this review is supposed to be family friendly and there were so many opportunities for jokes relating to the characters professions. So, I will attempt to make as little of said jokes as possible, but I think I can get can get the more inappropriate ones stripped off the list.
Gosh dang it.
Anyway, Hustlers is a film starring Constance Wu, Jennifer Lopez, Julia Stiles, and Cardi B for some reason, about a group of former strippers who drug Wall Street men to make a fortune and support their materialistic lifestyle. I can’t deny that even though I was excited for the film that I was pretty surprised when the film was getting positive reviews. Continue reading
About half way through director James Gray’s sixth feature film Ad Astra, I began to find myself thinking, ‘hang on, haven’t I seen this bit before?’ ‘In that other film about space?’ ‘And haven’t I heard this voice over before?’ In that film by Terence Malick about the tree?’
This feeling of déjà vu never quite left me as I ploughed my way through Gray’s self-indulgent space epic/Brad Pitt Oscar vehicle, bitterly disappointed as the film revealed itself to be no more than a style-over-substance space odyssey full of threadbare cliches.
Ad Astra is a film of two halves. One is a visually breath-taking science fiction adventure brimming with seamless visual effects, The other is a tepid father/son melodrama that tries it’s damnedest to drag the rest of the film down to it’s yawn-inducing level. Ad Astra looks poised to kick-start the age old debate of substance over style, and I imagine audiences watching the film will find that which camp they fall in will determine how much they agree with critical opinion. Continue reading
There are only so many times you can hear about a cinema classic, without giving in to the pressure of watching it. The guilt surrounding your lack of enthusiasm around a movie that appears to have turned the whole world upside down, dragging with it the expectations of film making as we have come to know it, forces you to need to watch something (even if you’re not really that bothered.) This is what happened to me with James Cameron’s Avatar: much to the chagrin of planet Earth…I didn’t like it.
As far as I was aware, as I walked into that cinema with my dad, not really fussed about if I saw the movie about blue people or just went home, this movie was going to be the best film I had ever seen. Even better than Clueless which, to me, was not an easy feat. Continue reading
Part of this post is sponsored by 4DX Cinemas. With poignancy and heart on its side, 2017’s IT managed to avoid its occasional flaws to become an unnerving addition to the horror genre. While the film could never be classed as outright terrifying, the character of Pennywise, portrayed exceptionally by Bill Skarsgard, is an unsettling antagonist and one of the best in film.
Two years later, the town of Derry is back on the big screen in Andy Muschietti’s epic conclusion. But at nearly 3 hours long, is IT: Chapter Two just a bloated mess, or does it float to new heights? Continue reading
“Euhuheh” – A quote from me in four separate scenes in Scary Stories to Tell in the Dark. After either the first or second trailer, I can’t remember which, I was really worried about this movie. It appeared to be the standard scares that you’ll find in any PG-13 horror film like Escape Room or Happy Death Day 2U, as well as the pretty bad CG Ghost of Sarah Bellows, and that scared me going into it.
Then the reviews were positive and I became optimistic, so when I saw this film on opening weekend, I had a sense of cautious optimism. As the credits rolled, I found myself relieved, as this is the second best horror film of 2019. So, let’s get into Scary Stories to Tell in the Dark. Continue reading