Make no mistake about it, Ridley Scott’s early, pre-2000s career is littered with enduring classics and hidden gems. Blade Runner, to this day, remains one of the greatest science fiction films ever made. Thelma and Louise remains an immensely enjoyable, girl power-fuelled joyride that holds up so well it’s perhaps more impactful now than it was at the time of release. And 1977’s The Duellists (Scott’s directorial debut) remains a well crafted and considered film.
To experience Ridley Scott as his peak though, we must travel all the way back to 1982. Following the release of Alien and Blade Runner in quick succession, Scott had not only established himself as one of Britain’s best filmmakers, he’d claimed his place as the premier director within the science fiction genre. Alien, quite rightly, is regarded as a masterpiece hybrid of sci-fi and horror. And Blade Runner, one of my favourite films, is without a doubt one of the greatest, pure science fiction movies ever conceived. Continue reading
As well as the ultimate cinema going experience, 4DX, you can see Maleficent 2: Mistress of Evil in Screen X. The first live-action Disney film to be receiving the Screen X treatment, 40 minutes of footage will be featured across three screens that wraparound the audience for a truly immersive experience.
As well as Screen X, Maleficent 2 will be available to view in 4DX, the third Disney film of the year after Aladdin and The Lion King to receive the treatment. Audiences will have all of their senses awakened. Continue reading
There are only so many times you can hear about a cinema classic, without giving in to the pressure of watching it. The guilt surrounding your lack of enthusiasm around a movie that appears to have turned the whole world upside down, dragging with it the expectations of film making as we have come to know it, forces you to need to watch something (even if you’re not really that bothered.) This is what happened to me with James Cameron’s Avatar: much to the chagrin of planet Earth…I didn’t like it.
As far as I was aware, as I walked into that cinema with my dad, not really fussed about if I saw the movie about blue people or just went home, this movie was going to be the best film I had ever seen. Even better than Clueless which, to me, was not an easy feat. Continue reading
It’s always surprising when a truly awful film performs well at the box-office, but that’s exactly what happened with 2017’s London Has Fallen. Despite overwhelmingly poor reviews, the sequel to 2013’s marginally better Olympus Has Fallen made over four times its production budget in ticket sales.
Naturally, a sequel in the now originally named ‘Fallen’ film series was greenlit soon after with the majority of the cast returning for the third instalment. But is the finished product, Angel Has Fallen as bad as its predecessor? Or is this the turning point? Continue reading
This is the definitive guide to all of Quentin Tarantino’s films. Yes, you read that correctly. This is the correct ranking of the nine (Yes, nine. I’m counting Kill Bill as one like Tarantino does.) films from Quentin Tarantino. These are the correct opinion, and if you don’t agree with me, you are just wrong.
Oh boy, this is going to be difficult as I attempt to not be murdered for my opinions on this list. Tarantino is a great director who has made four amazing films, two pretty good movies, one okay flick, and whatever the heck Once Upon a Time… in Hollywood was. Now, comes the time to rank them as I’m sure that many will disagree with my rankings, mainly numbers 9 through 1, but as we now stand in a waiting period of possibly six years until the next one, it feels like now is the best time. Continue reading