Ah, the beauty of childhood. Running around with your best friends, making your own fun. It’s highly likely, however, that your childhood didn’t involve being a part of the Hitler Youth. Well, in the newest movie from triple-threat, Taika Waititi, it features just that. As well as, you know, the Gestapo, public hangings, and actual Hitler himself.
It doesn’t go amiss to question why such a successful comedy filmmaker would tackle such a risky subject. What also doesn’t go amiss, however, is how the story of Jojo Rabbit is handled. The movie follows Jojo, a 10 year old lad born in Germany in WWII.
His dedication to the war effort is apparent from the off – he marches around in his Hitler Youth uniform, knife readied in his belt, with his imaginary friend (who just happens to be Waititi as Hitler) issues rallying cries of support for his tiny friend. His mother (Scarlett Johansson) is quick-witted, unapologetic, and fiendishly brave. It seems as though its them and Hitler against the world, until Jojo makes a discovery in his very own house. Continue reading
Make no mistake about it, Ridley Scott’s early, pre-2000s career is littered with enduring classics and hidden gems. Blade Runner, to this day, remains one of the greatest science fiction films ever made. Thelma and Louise remains an immensely enjoyable, girl power-fuelled joyride that holds up so well it’s perhaps more impactful now than it was at the time of release. And 1977’s The Duellists (Scott’s directorial debut) remains a well crafted and considered film.
To experience Ridley Scott as his peak though, we must travel all the way back to 1982. Following the release of Alien and Blade Runner in quick succession, Scott had not only established himself as one of Britain’s best filmmakers, he’d claimed his place as the premier director within the science fiction genre. Alien, quite rightly, is regarded as a masterpiece hybrid of sci-fi and horror. And Blade Runner, one of my favourite films, is without a doubt one of the greatest, pure science fiction movies ever conceived. Continue reading
As well as the ultimate cinema going experience, 4DX, you can see Maleficent 2: Mistress of Evil in Screen X. The first live-action Disney film to be receiving the Screen X treatment, 40 minutes of footage will be featured across three screens that wraparound the audience for a truly immersive experience.
As well as Screen X, Maleficent 2 will be available to view in 4DX, the third Disney film of the year after Aladdin and The Lion King to receive the treatment. Audiences will have all of their senses awakened. Continue reading
There are only so many times you can hear about a cinema classic, without giving in to the pressure of watching it. The guilt surrounding your lack of enthusiasm around a movie that appears to have turned the whole world upside down, dragging with it the expectations of film making as we have come to know it, forces you to need to watch something (even if you’re not really that bothered.) This is what happened to me with James Cameron’s Avatar: much to the chagrin of planet Earth…I didn’t like it.
As far as I was aware, as I walked into that cinema with my dad, not really fussed about if I saw the movie about blue people or just went home, this movie was going to be the best film I had ever seen. Even better than Clueless which, to me, was not an easy feat. Continue reading
It’s always surprising when a truly awful film performs well at the box-office, but that’s exactly what happened with 2017’s London Has Fallen. Despite overwhelmingly poor reviews, the sequel to 2013’s marginally better Olympus Has Fallen made over four times its production budget in ticket sales.
Naturally, a sequel in the now originally named ‘Fallen’ film series was greenlit soon after with the majority of the cast returning for the third instalment. But is the finished product, Angel Has Fallen as bad as its predecessor? Or is this the turning point? Continue reading