I must start this out with a confession: I am someone who is prone to hyperbole. It will worm its way into my everyday interactions. In fact, one might say that I am liberal with my hyperbolicity— non-literal exaggerations can be found in the way I discuss, describe, act, and recount; in the way I exist.
However, when it comes to hyperbole, there is no place I use it more than in my descriptions of films. “It’s the most fun ever”, I might say about a movie that’s pretty fun, but the most ever? Probably not. However, in 2018 there was one film that was the receiving end of more hyperbole than any other: Bohemian Rhapsody.
This hyperbole was exclusively negative. Some descriptions I threw around included “the worst”, “actual trash”, “fully awful”, and “scum on the bottom of my shoes”. In an informal year in review I even went so far as to express my wish to strike it from history, calling it “cultural cancer masquerading as a film”. I’ll admit that the last one is probably one step too far, cancer is no laughing matter.
Then again, neither is Bohemian Rhapsody.
Netflix movies have been gradually moving up the movie food chain. From the outrage that surrounded Beast of No Nation‘s Oscar snub, to recent awards darling, Roma, scooping up the majority of the awards and nominations at most shows, it’s easy to see that Netflix isn’t a foe to be ignored. Their latest release, High Flying Bird, directed by Steven Soderbergh of Erin Brockovich fame, and written by Tarell Alvin McCraney (Moonlight), it isn’t hard to expect quite a lot from this movie.
It follows Ray, a sports agent, as he navigates an NBA lockout with his rookie client, Erick. With a star-studded cast and a team that is, arguably, overqualified to orchestrate such a simple plot, Netflix looks as though they’re onto a winner. Continue reading
Watching Home Again is an experience akin to drinking an entire bottle of a Muscat-Blanc. It’s deliciously sweet and gets you all giddy to begin with but ultimately you’re going to wake up with a head-ache. The debut feature from Hallie Meyers-Shyer, daughter of the genre empress Nancy Meyers and Charles Shyer, continues the family tradition of the perky female rom-com with a keen eye for soft furnishings and pristine kitchen-ware.
Alice (Reese Witherspoon) plays a recently separated mother of two going through a bit of a rough patch. By rough patch I mean that she is unable to truly express herself in her work as an interior designer, whilst living in a plush LA mansion she inherited (along with a comfortable bank account) from her deceased millionaire father, who was once the darling of old Hollywood gentry. Because you know, money isn’t everything. Continue reading
It’s always a worry when a production company feels the need to force feed you the fact that a big-name is in a relatively minor role. In the case of Alita: Battle Angel, 20th Century Fox have been hammering home the fact that James Cameron is involved in a Producer capacity.
You have to feel a little sorry for director Robert Rodriguez as his name has been almost usurped by Cameron’s in the marketing push for this live-action adaptation of the classic manga. Of course, Cameron is too busy making the four Avatar sequels no-one actually cares about anymore and instead, entrusted his vision for Alita: Battle Angel to Rodriguez. He’s certainly an intriguing choice of director, but does the finished product work? Continue reading
The humble graphic novel has paved the way for many of the iconic movies we know and love today: Watchmen, Scott Pilgrim vs The World and 300 to name but a few. Netflix’s latest release is a foray into that elusive world of the graphic novel, bringing gory hitman tale Polar to our TV screens. However, did it translate on screen as it did on paper?
Polar follows world-renowned assassin Duncan (Mads Mikkelsen) as he prepares for his retirement at the age of 50. Against his will, Duncan is forced back into his killing ways when he is pursued by a group of people who want him dead. Continue reading