As cinemas slowly reopen to the public across the UK, many of us have been reminiscing about the last time we went to watch a film on the big screen. For me, that was at the beginning of March, just a week or so before Boris Johnson announced that all non-essential businesses needed to shut their doors for the foreseeable future.
For one family though, going to the cinema was a nightly occurrence. Curt Turner, his wife, and his two children have had the enjoyment of their very own, fully-realised cinema right in their back garden. Named Screen24, I spoke to Curt about the process of building a fully-functioning cinema where the admission was free and every seat was the best seat in the house. Here’s what he had to say. Continue reading →
Foreword by Adam Brannon: We are all adapting to some serious changes post-COVID-19 and as the world tries to get back on its feet, it’s been refreshing to see people trying new, exciting and different things.
Whether it’s deciding to cycle, rather than get on public transport or create your own podcast, the number of individuals relishing trying new activities has been perhaps one of the only positives of this troubling pandemic. Over on Instagram, new accounts are popping up left, right and centre, but one that really caught my eye was tot_for_tot_remakes.
Alex and his daughter Matilda live in the US, and have taken the Insta world by storm by recreating classic scenes from movies with a little photoshop knowhow and little else. The results have been astounding. In this interview, I ask Alex about the thought process behind the account and the public reaction. Continue reading →
Foreword by Adam Brannon: it’s fair to say that the world is going through troubling times, and where many of us would find solace at the cinema, we are no longer able to do that. I’m sure, like me, many of you are feeling anxious about the months ahead, but we will get through this.
With that in mind, we’re trying to up the content on Movie Metropolis as much as possible, giving you interesting content to read, digest and share with your peers. We’re starting with a fantastic interview from writer/director Yesser Laham, who’s film Landfillstars The Exorcist’s Linda Blair. Read on to find out more about his incredible career. Continue reading →
Foreword by Adam Brannon: We’re rounding out 2018 with a monster-sized interview. For those who have been living under a rock for the majority of the last twelve months, 2018 signals the 25th anniversary of Steven Spielberg’s 1993 classic, Jurassic Park.
The influence this film had on cinema post-release is something truly special. It revolutionised special effects on the big screen and brought realistic CGI and animatronic dinosaurs into Hollywood for the very first time.
To celebrate, and in our final post of 2018, I had the pleasure of interviewing Jurassic World’s Courtney James Clark, who most of you will recognise as the park’s Mosasaur keeper. I spoke to her about her time working on the film and her career in general. Continue reading →
J.J Abrams has always had a knack for injecting his films with a jarring dose of body horror. Cloverfield (2008) had the infamous exploding woman, 10 Cloverfield Lane (2016) had a melting John Goodman after he got soaked in acid, and The Cloverfield Paradox (2018) had, well, a truly horrifying script. Whilst Overlord (2018) is a firmly stand-apart feature from the Cloverfield franchise (despite the rumours), there’s definitely enough body shock and gore to feel like an Abrams production.
There are so many descriptors one could attribute to Overlord; delightfully nasty, bloody and nauseatingly tense are but a few. This film is a grungy B-movie horror disguised as a slick WW2 drama and boy, is it fun. Continue reading →