Having recently jumped on the bandwagon along with 50 million other people in signing up for Disney+, and with free time at home being in abundance, I decided that the moment had finally come to re-watch the entire MCU from Iron Man (2008) all the way to present day phase 3.
Having now made it through 20 or more films over the past 6 weeks, there were very few surprises. Captain America: Winter Soldier remains a thrilling Bourne-esque spy story that marked a shift in tone for the Avenger’s solo projects, and Iron Man 2 and Thor: The Dark World both remain tedious, inconsequential bores. Continue reading →
Make no mistake about it, Ridley Scott’s early, pre-2000s career is littered with enduring classics and hidden gems. Blade Runner, to this day, remains one of the greatest science fiction films ever made. Thelma and Louise remains an immensely enjoyable, girl power-fuelled joyride that holds up so well it’s perhaps more impactful now than it was at the time of release. And 1977’s The Duellists (Scott’s directorial debut) remains a well crafted and considered film.
To experience Ridley Scott as his peak though, we must travel all the way back to 1982. Following the release of Alien and Blade Runner in quick succession, Scott had not only established himself as one of Britain’s best filmmakers, he’d claimed his place as the premier director within the science fiction genre. Alien, quite rightly, is regarded as a masterpiece hybrid of sci-fi and horror. And Blade Runner, one of my favourite films, is without a doubt one of the greatest, pure science fiction movies ever conceived. Continue reading →
There are only so many times you can hear about a cinema classic, without giving in to the pressure of watching it. The guilt surrounding your lack of enthusiasm around a movie that appears to have turned the whole world upside down, dragging with it the expectations of film making as we have come to know it, forces you to need to watch something (even if you’re not really that bothered.) This is what happened to me with James Cameron’s Avatar: much to the chagrin of planet Earth…I didn’t like it.
As far as I was aware, as I walked into that cinema with my dad, not really fussed about if I saw the movie about blue people or just went home, this movie was going to be the best film I had ever seen. Even better than Clueless which, to me, was not an easy feat. Continue reading →
There are some movies that just become an instant hit. Everyone seems to love them – they’re all over the TV, a sequel is confirmed within 10 minutes of the movie being released, and everyone seems to be raving about this amazing and miraculous new film. This is what happened with The Greatest Showman (TGS). What makes it worse, is that it was a musical: even the radio wasn’t safe.
Now, I’m not denying the appeal of TGS, nor am I saying that it is badly made. However, the entire movie didn’t strike me as something to be ridiculously excited about, and the hype that has surrounded it ever since has slowly chipped away at my tolerance of the movie, as well as my will to live. Continue reading →
I must start this out with a confession: I am someone who is prone to hyperbole. It will worm its way into my everyday interactions. In fact, one might say that I am liberal with my hyperbolicity— non-literal exaggerations can be found in the way I discuss, describe, act, and recount; in the way I exist.
However, when it comes to hyperbole, there is no place I use it more than in my descriptions of films. “It’s the most fun ever”, I might say about a movie that’s pretty fun, but the most ever? Probably not. However, in 2018 there was one film that was the receiving end of more hyperbole than any other: Bohemian Rhapsody.
This hyperbole was exclusively negative. Some descriptions I threw around included “the worst”, “actual trash”, “fully awful”, and “scum on the bottom of my shoes”. In an informal year in review I even went so far as to express my wish to strike it from history, calling it “cultural cancer masquerading as a film”. I’ll admit that the last one is probably one step too far, cancer is no laughing matter.