Yes, we all know the jokes. Liam Neeson’s spiral into revenge thriller territory is one of the most meme-worthy things in film, except maybe John Travolta and Battlefield Earth. Starting with Taken and its, let’s be honest, dreadful sequels, the Irish actor has made a name for himself as the go-to guy to rough someone up after a spate of bad-luck.
He’s had kids killed, kidnapped and spouses murdered in cold blood, he’s even been framed for hijacking a jumbo jet – if anyone deserves a break, it’s Liam Neeson. Unfortunately, his films have ranged from great (Taken, Non-Stop), to middling (Run All Night, The Commuter), to downright dreadful (Taken 2, Taken 3) and that’s how the meme-worthiness was born. Nevertheless, Neeson is back for yet another revenge thriller in Cold Pursuit. But how does it stack up? Continue reading
The romantic comedy, one of my favorite genres, having given us such fantastic films like 10 Things I Hate About You, Bridget Jones Diary, and so many others. Well, in a move that has never been attempted before, a new film is attempting to parody and make fun of the rom-com. Isn’t it Romantic is the latest of that incredibly niche genre of poking out all the flaws in rom-coms, and after seeing the trailer, I was pretty pumped for it. 80s music, some good jokes, and Lucifer himself, Tom Ellis in a cameo?
I was anticipating this one pretty heavily, so when I saw it on Valentine’s day in a sold out auditorium, I took that as a good sign. 88 minutes later, I walked out of that auditorium with a giant smile on my face. Isn’t it Romantic is definitely my favorite movie of the year so far, and let me tell you why. Continue reading
It’s always a worry when a production company feels the need to force feed you the fact that a big-name is in a relatively minor role. In the case of Alita: Battle Angel, 20th Century Fox have been hammering home the fact that James Cameron is involved in a Producer capacity.
You have to feel a little sorry for director Robert Rodriguez as his name has been almost usurped by Cameron’s in the marketing push for this live-action adaptation of the classic manga. Of course, Cameron is too busy making the four Avatar sequels no-one actually cares about anymore and instead, entrusted his vision for Alita: Battle Angel to Rodriguez. He’s certainly an intriguing choice of director, but does the finished product work? Continue reading
Of all the oddly specific sub-genres out there my personal favourite is, without a doubt, the “boy and his (insert strange creature that they befriend here)” coming-of-age film. In these films a child, usually a boy but sometimes a girl, finds a strange fantasy or science-fiction creature that is not of this world who they form an unlikely bond with.
It’s a sub-genre whose catalogue includes great films like E.T the Extra-Terrestrial, Pete’s Dragon and Flight of the Navigator. Whole franchises are built out of it; the Pokémon movies the live-action Transformers (especially the recent Bumblebee) are just two examples. If I had to choose a personal favourite it would be The Iron Giant. If I had to choose a second favourite it would be 2010’s How to Train Your Dragon. Continue reading
If I had a dollar for every time I thought “are you kidding me” while watching Green Book I would have made enough money to bribe of every critic who voted on the Golden Globes to retract every award they gave it (save for Best Supporting Actor for Mahershala Ali because he’s pretty good). You may respond “well that seems a tad harsh, it can’t be that bad” and that would be a fair response. Green Book is a perfectly pleasant way to spend an afternoon.
It’s competently constructed; the actors do the best with the material they are given; it borders on rewarding sometimes. However, the rest of the time Green Book is a crushingly uninspired film that is so desperate to please everyone that it ends up a toothless. Green Book presents itself as a progressive film, but in reality, is a hollow reminder that despite taking huge leaps in terms of diversity (Black Panther, Blackkklansman, Crazy Rich Asians) Hollywood is still deeply regressive. Continue reading