Part of this post is sponsored by 4DX Cinemas. The Fast & Furious franchise has carved itself quite the enviable niche over the course of its nine-film run. Starting out as little more than a load of pretty people racing pretty cars around pretty locations, the series has evolved into a well-connected universe that is frankly, absolutely ludicrous.
Two of those big names, Dwayne Johnson and Jason Statham were true highlights in the two previous instalments in the series, both of which crossed the coveted $1billion mark at the global box office and with spin-offs being the order of the day, a Hobbs & Shaw solo film was greenlit.
David Leitch who made his directorial debut with John Wick and then followed up with Atomic Blonde and a decent sequel to Deadpool was drafted in to make this film as bonkers as anything he’s created before. But what is the finished product like? Continue reading
You may remember that in October 2018, I reviewed a film called
Another month, another Disney remake. After audiences and critics alike were underwhelmed by Tim Burton’s bizarre take on
Watch the walls. Director Ari Aster’s advice to cinema-goers heading out to see his second directorial feature may seem strange, but it makes sense once you see it. Aster’s
Having gone to three high schools myself during my teenage tenure, I feel like I have more knowledge about different kinds of high schools than the average person. That being said, if the things that happened in this movie happen, I must have missed out because

Okay, I’ve said this four times this year so far, but this has gotta be the worst movie of the year. First, I said it for
I’m not crying, you’re crying. That’s the way it goes with Disney and Pixar movies, right? The general consensus about the Toy Story trilogy is one of unanimous praise – you only need to look at the
It would be easy to write off X-Men: Dark Phoenix as a complete and utter disaster. With the departure of Bryan Singer (again) from the franchise, first-time director Simon Kinberg taking his place and rumours of costly reshoots pushing the budget north of $200million, things weren’t looking good for this adaptation of the popular Marvel comic.
2014’s