Ah, the DCEU, probably one of the most inconsistent franchises there is. They started off with the so-so Man of Steel, then the incredibly dull Batman V. Superman, then one of my least favorite films ever Suicide Squad, the overall decent Wonder Woman, the mediocre Justice League, and my personal favorite, Aquaman. Now they come to us with Shazam, which had a fantastic trailer.
They made a trailer which looked like it was bringing wonder back to the superhero genre. I was super excited, and when I learned of advance screenings, I bought my tickets immediately. When I actually saw it, I sat there for two hours and twelve minutes, and when it ended, I was thoroughly feeling like I was brought back… to a superhero movie from 2013, but I’ll get into that. Let’s just get into the movie as a whole. Continue reading
“I don’t want asparagus water shot up my butt under any circumstances” – a line in this film written by the Oscar Winning writer and director of The Crying Game. That’s really the best way to describe Greta. You can either hate how awful it is, or laugh about how at just how bad it can be. Greta, the story of a young women’s fight against a widowed stalker is certainly an interesting idea for a movie, especially with some surprisingly high quality actors.
Isabelle Huppert of Elle, Chloë Grace Moretz of Let Me In, Stephen Rea of The Crying Game, and the massively underrated Colm Feore of Chicago, all names I saw flash by during the opening sequence, so what went so wrong to turn this from a promising idea to a laughably bad thriller? Let’s get into that. Continue reading
I confess that when I heard a small indie film about the life of author Lee Israel was to star Melissa McCarthy I was confused. McCarthy is not generally associated with drama. Her wheelhouse is comedy. Melissa McCarthy led comedies tend to range from the very good Spy to the adyssmal Happy Time Murders but more often than not they are like the forgettable Life of the Party.
I had McCarthy pigeonholed. Her identity and range as a performer were limited to comedy in my mind. I dismissed her, skipped her movies when they were in theatres, thought of her as less than she really was. I know I am alone in this misconception, I have a plethora of dismissive internet articles that say exactly that but with a much higher word count. Continue reading
It’s hard to critique indie cinema with quite the same vigour as you might a mainstream blockbuster flick. Often huge differences in budget and production quality make comparison virtually impossible; but usually what indie flicks often lack in production quality, they compensate for in narrative ‘gumption’ and imagination.
Struck, an indie teen drama from rookie filmmakers Alexander Milo Bischof and Michael Couvaras, subverts these expectations. Favouring production quality over narrative originality, Struck is an ambitious attempt at rehashing a familiar story for a millennial audience. Continue reading
With a touching tribute to the amazing Stan Lee, it’s clear from the outset that Captain Marvel isn’t going to be your ordinary MCU instalment, or so Marvel Studios would have us believe. The 21stfilm, yes, I can’t quite believe it either, in the long-standing Marvel Cinematic Universe, Captain Marvel is the first superhero film from the studio to focus primarily on a single female lead.
Astounding really that a franchise started by all intents and purposes way back in 2008 with Iron Man and has grossed billion after billion at the box-office hasn’t felt the need to offer a big tentpole movie to a female hero. But history aside, Captain Marvel has finally landed. Are we looking at one of Marvel’s greats? Continue reading