YouTube comedian-turned internet sensation-turned filmmaker Bo Burnham recently described his directorial debut as “an attempt to represent the kids who live their lives online.” To describe Eighth Grade (2018) as merely an attempt would be a true disservice. Burnham feature debut is a exquisitely insightful look into the agony of growing up in the age of the internet.
Hailed by many as a strikingly accurate portrayal of what it means to be a Gen Z-er, Burnham prompts an in-depth conversation about the plight of ‘post-millennials’ who, in his own words, have been “forced by a culture they did not create to be conscious of themselves at every moment.” Yet for all for it’s cutting cultural commentary, Eight Grade succeeds because Burnham has created a universally human story; one that gives you all the laughs and all the feels. Continue reading
There are some movies that just become an instant hit. Everyone seems to love them – they’re all over the TV, a sequel is confirmed within 10 minutes of the movie being released, and everyone seems to be raving about this amazing and miraculous new film. This is what happened with The Greatest Showman (TGS). What makes it worse, is that it was a musical: even the radio wasn’t safe.
Now, I’m not denying the appeal of TGS, nor am I saying that it is badly made. However, the entire movie didn’t strike me as something to be ridiculously excited about, and the hype that has surrounded it ever since has slowly chipped away at my tolerance of the movie, as well as my will to live. Continue reading
Beyonce. A name that strikes even the most talented of people to the ground with sheer amazement. A triple threat. A mother. A woman. An icon. To add to the list now is also the title of filmmaker. Thanks to Netflix’s deal with the legendary singer, Beyonce’s 2018 Coachella headline set was brought to our TV screens around a year later, along with an album to match. Called Homecoming, it’s supposedly a celebration of everything Beyonce stands for – but did she bring it home, or did she miss the mark?
Homecoming is an amalgamation of everything Beyonce stands for. It’s a celebration of black culture, of talented black artists, and of her love for her fans. As Coachella’s first-ever black female headliner, Beyonce definitely had a difficult road ahead of her. Armed with her dancers, her band, and a slew of special guests, this film is a recollection of just how Queen Bey brought it home. Continue reading
I’m not going to sit here and tell you that Avengers: Endgame is the best movie of the MCU, because frankly; it isn’t. It’s not even in my top three. However, as a culmination of everything Marvel has been working up to since 2008, it has to be applauded.
From a technical standpoint, Endgame is like nothing else we’ve ever seen come to the big screen, with a cast that pushes the film to breaking point, characters we remember from movies past and some we had perhaps forgotten about hit the screen in epic fashion. But how good is the finished product? Continue reading
There are only so many new formulas a romantic comedy can take. Soon, the magic of the boy-meets-girl meet cute starts to wear off, and you’re just left with the same old movie, but with different people playing the same characters. The most successful rom-coms tend to follow formulas of their own creation, bringing something new and exciting to the world of love. Netflix’s newest release, The Perfect Date, tries to do just that: but does it succeed?
The Perfect Date follows Brooks Rattigan (Noah Centineo), a kid from the poor side of town who has big dreams, but not a lot of money to follow them through. After being paid to take a girl (in this case, Laura Marano of Austin & Ally fame) on a date, he devises a plan to become rentable: he’ll go with you wherever you want to go, as whoever you want to go with. Basically, he’s a non-illegal male gigolo who doesn’t have a human pimp but has an app instead. Sound interesting? Continue reading