The horror genre is, arguably, one of the most predictable movie genres around. Stuffed to the brim with tropes, stereotypes and predictability, it can feel like you’re watching the same film over and over again. However, Japanese filmmaker Shin’ichirô Ueda had a different idea for his zombie flick, One Cut of the Dead. However, does it break new ground, or is it a resurrection of a movie that has already been made?
One Cut of the Dead is a story in three acts. It begins with a group of people who are filming a low-budget zombie horror movie in a disused water filtration plant, but then are attacked by real zombies. Carnage ensues for about half an hour, before the movie takes a completely surprising turn. Without giving too much away, it’ll have you crying, but not in a scared way. Continue reading →
The 1980’s has become a ‘flavour of the month’ for many a medium in the 21st century. Maybe it’s because the filmmakers of today were the children of the 1980s, or maybe it’s just because the 1980’s is one of the most idealised periods of time. Children riding on bikes, nothing to be scared of. However, Summer of 84 would disagree that there’s nothing for kids to be scared of, even in the 80s.
Summer of 84 follows a group of kids as they try to prove that their next door neighbour, Mr Mackey, is a notorious serial killer. As with all good homages to the 80s, it’s got good music, bad fashion and a lot of walkie talkies. Continue reading →
In the year 2000, Ron Howard of all people, director of such films like Frost/Nixon, A Beautiful Mind, and Apollo 13, made a movie called How the Grinch Stole Christmas with Jim Carrey, and it was one of the best horror movies of the year. The terrifying makeup along with the weird fog over the lenses makes this movie- what?
According to the person who barged into my writing room, this Grinch is actually supposed to be a family-comedy? Then how do you explain all the creepy imagery, adult jokes and awkward pauses… Oh, it’s a Dr. Seuss movie from the 2000s, okay I get it now. Anywho, they made a non-horrifying version this year simply titled The Grinch, starring Belligerent Cabbagepatch and… yeah, let’s talk about it. Continue reading →
It was 1964 when the world was introduced to a practically-perfect British nanny in Walt Disney’s Mary Poppins. Back then, Julie Andrews starred as the eponymous character alongside Dick van Dyke and David Tomlinson. It was an instant hit and became one of Disney’s most-loved feature films.
That is, by everyone apart from the author of Mary Poppins, PL Travers. So incensed by what she felt was Disney’s misunderstanding of her source material, she banned all future work with the studio.
So, 54 years later and with Travers’ estate finally agreeing to a sequel (I wonder how much Disney executives had to pay for that), we get a sequel that no-one was really asking for. Mary Poppins Returns brings the titular character back into the hearts of newcomers and fans alike, but is the film as practically-perfect in every way like its lead? Or is it a bit of a dud? Continue reading →
You could be forgiven for being rather sceptical walking into the cinema to see Aquaman, and it’s easy to see why. An uninspiring set of trailers preceded by the DCEU’s shall we say reluctance to resonate with audiences.
Of course, Wonder Womanwas a sterling effort by Patty Jenkins, only hampered by a poor final act and the feeling that the female superhero couldn’t quite shake off the trappings of Zac Snyder’s overarching vision for the DC Extended Universe.
Justice League was a steaming pile of mediocrity and Batman vs Superman was fun if entirely forgettable. Aquaman arrives on the scene with the hopes of Warner Bros. entire franchise on its shoulders. But is it any good? Continue reading →