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Category: Film reviews (2016) (Page 3 of 6)

“Lovely in every sense of the word” Pete’s Dragon review

10933939_858255040882983_331142605952023910_n2016 really does belong to Disney. The House of Mouse has been churning out some incredible films this year with the live-action remake of The Jungle Book proving sceptical audiences (and critics) completely wrong.

The BFG was a pleasant and inoffensive adaptation of Roald Dahl’s wonderful novel and Finding Dory got Pixar back on the right track, and let’s not forget Captain America: Civil War, by far the best superhero film of the year.

Here, Disney continues its trend with recreating its classic cartoons in live-action; resurrecting Pete’s Dragon. But is this remake of the 1977 film of the same name as good as The Jungle Book? Continue reading

“An unbiased review” Jason Bourne review

 

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By Rob Stoakes

Today, friends, I don’t come at you as an objective movie critic, but as a raging fanboy, because for all of the attempts to put aside my biases and get over my prejudices, I just can’t do it. However irrational, however nonsensical, however many times I hear how great it is and how important to cinema the franchise is, I will always utterly despise Bourne.

Paul Greengrass is to me what Uncle Ben’s murderer is to Spiderman. He is the instigator and the embodiment of everything I hate in modern action. An over-reliance on shaky cam to make action look more dramatic. A plot at once over-complicated and overly simplistic, filled with conspiranoia about some shady government official without ever having the nuts to say that the government is flat out the bad guy. Continue reading

“Yet another misfire” Suicide Squad review

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By Adam Brannon

It’s hard to remember such a lacklustre summer blockbuster season. From unnecessary sequels to underwhelming novel adaptations, it’s been one disappointment after another.

After the criticism of spring’s Batman v Superman, DC Comics and Warner Bros. really needed a hit on their hands if they were to compete with the Marvel Cinematic Universe. Suicide Squad is their answer, but after an exhaustive marketing campaign, is the final product any good? Continue reading

“Is it a return to form for Pixar?” Finding Dory review

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By Adam Brannon

For years, Pixar was an unstoppable force. The studio combined stunning animation with thought-provoking stories that adults and children could enjoy. From Toy Story to Wall.E, everyone, at some point will have watched a Pixar film.

Then a few things caused the bubble to burst. Firstly, other companies upped their game, big time, with Dreamworks in particular being hot on the heels of their rival. Secondly, Pixar’s own partner, Disney started churning out great animated films with Zootropolis and Wreck-it Ralph worth a mention.

Finally, Pixar lost its way. Cars and its dreadful sequel, followed by an underwhelming prequel to Monsters Inc and the marketing disaster that was The Good Dinosaur all culminated in a studio damaged by its own high standards. Now, in 2016, we have a sequel to arguably Pixar’s best film, Finding Nemo, but does Finding Dory build on its predecessor or sink faster than a stone? Continue reading

“Spielberg, where are you?” The BFG review

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By Adam Brannon

Roald Dahl’s inspiring novels have had a chequered history when it comes to turning them into films. Danny DeVito’s Matilda is widely regarded as one of the best adaptations, with Tim Burton’s Charlie & the Chocolate Factory rendered a monstrosity by fans of the author and movie critics alike.

So when Steven Spielberg was announced as director of The BFG, my personal favourite of all Dahl’s novels, I was equal parts pleased and wary. Could my favourite filmmaker really do this amazing book justice? Continue reading

“Crippled by shaky cam” Star Trek Beyond review

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By Rob Stoakes

So, first thing’s first, what is it with the Star Trek reboots and their subtitles?

Star Trek: Beyond! Umm… beyond what? I’ve just seen the film and I can’t tell you what exactly they’re going beyond. Beyond good and evil, beyond the horizon, beyond the solar system, what? Into Darkness had the same problem; never once was it actually dark in that film. The originals never had this problem; Wrath of Khan did indeed have an angry man named Khan, and Search for Spock was about looking for Spock. But Beyond could be about anything. Continue reading

“I ain’t afraid of no reboot” Ghostbusters review

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By Adam Brannon

So it’s here. One of the most reviled films of the decade before it was even released; the Ghostbusters reboot has a tough job persuading fans of the original films and newcomers alike that it’s worth their time.

With director Paul Feig, stars like Melissa McCarthy and Chris Hemsworth and the backing of the series’ previous stars, it’s certainly got a lot going for it, but does the finished product soar or deserve all those dislikes on YouTube? The most disliked film trailer in YouTube history.

Continue reading

“CPR needed” The Legend of Tarzan review

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By Adam Brannon

As tends to be the case with Hollywood, studios pay very close attention to their rivals release schedules, eyeing up potential competition to pit their films against, maxing box-office returns in the process.

And when Disney announced they were rebooting The Jungle Book in March this year, Warner Bros quickly responded with another jungle-themed film; The Legend of Tarzan. But does this interpretation on the classic character swing or fall? Continue reading

“Good sci-fi, but a poor sequel” Independence Day: Resurgence review

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By Adam Brannon

Independence Day: Resurgence has a lot in common with last year’s Jurassic World. They both are long-awaited sequels to fan-favourite blockbusters, bringing a new generation the same thrills and spills of their forbearers.

Unfortunately, it just so happens that they share the same pitfalls too. But is Independence Day: Resurgence a match for its 1996 predecessor? Or does it crash and burn? Continue reading

“God awful” Gods of Egypt review

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By Adam Brannon

Those of you who keep up to date with the goings on in the film world may be thinking Gods of Egypt was released way back in February; and you’d be right for thinking that.

The film, directed by Alex Proyas (I, Robot, Knowing) performed so poorly in America at the start of the year that its UK release was scrapped, until now. But is the resulting film as bad as its figures would suggest? Or are we looking at a future cult classic?
Continue reading

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