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Category: Film reviews (2017) (Page 3 of 5)

Dunkirk review “A triumph”

Adam Brannon HeadshotBrutal. Spectacular. Emotional. These are just some of the adjectives you could use to describe Christopher Nolan’s latest film, Dunkirk. The director of Inception, The Dark Knight, Memento and Interstellar is one of the greatest film-makers working today and he raises the bar once again with this bleak tale from World War II.

With war, you have to respect the past whilst allowing modern-day film-goers to truly understand the brutality that ordinary people like you and I went through on a daily basis. Continue reading

War for the Planet of the Apes review “The Great Ape-scape”

Adam Brannon HeadshotBy Adam Brannon. Six years ago, I didn’t think I’d be telling you that a remake of the classic Planet of the Apes and its sequel would go on to be one of the finest double acts since The Two Ronnies, but that’s exactly what has happened.

Now, the final part of this incredible trilogy, War for the Planet of the Apes is out and ready to conclude an incredible half decade of cinema. But is it as good as its predecessors? Continue reading

Spider-Man: Homecoming review “The Marvel touch”

Adam Brannon HeadshotThe first thing I’m going to tell you about Spider-Man: Homecoming is that it has been gloriously undersold in its uninspiring trailers and promotional posters. In fact, most of the marketing materials shown made it look like this would be Iron Man 4 ft. Peter Parker. Thankfully that’s not the case.

The second thing I’ll tell you is that Tom Holland’s turn as Peter Parker is very good indeed. But is he better than Tobey Maguire or Andrew Garfield? Well, for that you’ll have to read on. Continue reading

Despicable Me 3 review “A disjointed third outing”

Adam Brannon Headshot
By Adam Brannon. They’re back. After the ridiculous success of Minions in 2015, Universal pressed ahead with a sequel to their other ridiculously successful animated franchise, Despicable Me.

The first two films were a delightful, if uneven adventure with everybody’s favourite yellow tic-tacs getting their standalone movie that grossed over $1billion. I know, I can’t believe it either.

Now, supervillain turned doting dad Gru is back for another round of animated mayhem. But is this third outing as enjoyable as its predecessors? Or are we starting to feel franchise fatigue? Continue reading

“Has anyone got an aspirin?” Transformers: the Last Knight review

Adam Brannon HeadshotBy Adam Brannon. Shhh! Don’t tell anyone I told you this but I’m a little bit of a Transformers fanboy. As a child I had many of the series’ toys and adored the animated series. Heck, I even have an Optimus Prime bobblehead next to my bed.

So when director Michael Bay announced in 2005 that he was planning a Transformers live-action movie with Steven Spielberg as producer, my heart skipped a beat. 2007 came and the film was everything I wanted.

Fast forward ten years and the series has, rightly or wrongly, become a laughing stock for critics the world over. Derided for nonsensical plots, messy special effects and in some cases racism, it’s been regarded as one of the worst film franchises of all time. Does the fifth entry in the franchise, The Last Knight redeem the series somewhat? Continue reading

“A new franchise is (re)born” The Mummy review

14859347_1040969846011519_1192281544_o-copyBy Adam Brannon. It seems that the Marvel Cinematic Universe has kicked off a trend over in tinseltown. Shared franchises are all the rage at the moment, and why not. Marvel has taken over $10billion. DC has finally found its footing with Wonder Woman and Legendary are fusing Godzilla with Kong: Skull Island to create their own monster universe.

But for every success story there is a failed series that didn’t quite grab the cinema-going public with The Golden Compass and The Last Airbender immediately springing to mind. Nevertheless, Universal Pictures has pushed ahead with creating its own ‘Dark Universe’. Proceedings kick off with The Mummy. But how does this reboot fare?

Continue reading

“DC gets it right*” Wonder Woman review

14859347_1040969846011519_1192281544_o-copyBy Adam Brannon. * almost. I’m not going to sit here and tell you that Wonder Woman is alright because it’s been directed by a woman, or that it’s the most progressive superhero film of the last decade. No, neither of those things are true.

However, the titular superhero, played superbly by Gal Gadot stars in by far the best film in the ever-expanding DC Universe – though with Suicide Squad and Batman v Superman as stablemates, that really isn’t saying much. Continue reading

“Here we go again” Pirates of the Caribbean: Salazar’s Revenge review

14859347_1040969846011519_1192281544_o-copyI can’t be the only one surprised that the Pirates of the Caribbean franchise has managed to withstand five films. Created on a whim by Disney in 2003, the first film propelled Johnny Depp into the lives of movie fans like never before.

However, come 2017 and Depp’s star is sinking faster than the Black Pearl. After three pretty dreadful sequels, the cast reunites for Salazar’s Revenge. But does a change in directors herald a new and exciting path for the plucky pirates? Continue reading

“Schrodinger’s Film” King Arthur: Legend of the Sword review

14886217_1040838869357950_851251975_nThere is a thought experiment that is used to help make sense of the Copenhagen Interpretation of Quantum Mechanics. Say you have a cat, a box and a fragile vial of poison. You put the cat and the poison in the box knowing that the vial may break, you lunatic.

At this point, so goes the thought experiment, until we can perceive whether or not the cat is dead, the cat is dead AND alive simultaneously, and it is only when you look into the box that you know whether you have a friend for life or a Korean meal.

I bring this up because I often insist that I prefer a bad movie with great moments than a movie that’s adequate across the board, but Guy Ritchie’s most recent film certainly puts that to the test. It’s almost my favourite film of the year but is full of nigh-unforgiveable blunders that I don’t think I can watch it again. But I don’t regret seeing it. King Arthur is both good and not good and the cat is still in the box. Continue reading

“Bigger isn’t always better… or is it?” Alien: Covenant review

14859347_1040969846011519_1192281544_o-copyBy Adam Brannon. Ridley Scott’s Alien prequel Prometheus wasn’t as warmly received as the veteran director had hoped for upon its release in 2012. In pitching the film for the coveted 12A market, Scott lost the majority of what made his 1979 masterpiece, rated 18, such an epic adventure.

So, five years on, Scott returns with a follow-up that aims to answer those irritating questions that Prometheus left us with. But is Alien: Covenant a return to form for the series? Or yet another damp squib? Continue reading

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