Velvet Buzzsaw review “Death as an art form”

Velvet Buzzsaw posterHere I thought we had seen the final Final Destination. Evidently, that was not true as Velvet Buzzsaw has made its way to Netflix, with a surprisingly huge amount of talent both in front of and behind the camera including the acting talents of Jake Gyllenhaal, Rene Russo, Toni Collette, and Daveed Diggs, as well as the directorial and writing strengths of Dan Gilroy, who most people know of his Nightcrawler fame

When I stumbled upon the trailer for this film mere days ago, I immediately got super excited. Not only are Nightcrawler and Roman J. Israel Esq. two of my favorite movies, but as a legitimate fan of the Final Destination franchise, I was quite excited for it. February 1st, I sat down and watched it, and I was… disappointing. Let’s not wait any longer though and just get into Velvet Buzzsaw. Continue reading

Hereditary review “What was that ending?”

Hereditary movie posterThe nauseating anxiety triggered by this film has only just receded from my psyche. It’s rare, nowadays, for a film to imbue such writhing terror onto a usually desensitised and skeptical audience.

The jump scares are scarce as the film titters towards a creeping-dread approach to horror; horror that emerges from our inevitable capacity to inflict pain on ourselves and those we love. Comparisons with The Exorcist and The Shining do this film little justice however, as Ari Aster’s directorial debut has much more in common with subdued tension-builders like It Comes At Night and The Witch (both films are also distributed by indie-powerhouse A24). Continue reading

“London Has Fallen, but good” Unlocked review

14859347_1040969846011519_1192281544_o-copyBy Adam Brannon. Every year it happens, a big blockbuster comes along and absolutely obliterates the competition at the box office. This year, that award has gone to the much-hyped and slightly disappointing Guardians of the Galaxy: Vol 2.

Then, a fortnight later, another massive hit arrives, Alien: Covenant this time, meaning any films caught between the two behemoths are generally forgotten. In 2016, that forgotten movie was Eye in the Sky. This year, it’s Michael Apted’s terrorism thriller, Unlocked. But is it a film worth watching? Continue reading