Get Out review: by Rob Stoakes
UK certification: 15
Social horror is a dying genre, and no it’s not how I feel when I awkwardly try to interact with other human beings. No, horror where the scary aspect comes from or inspired by a societal issue. When communism was about there were tonnes of them, like The Thing, Invasion of the Bodysnatchers and any of George Romero’s films.
Now, though, it seems like when the Berlin Wall fell it took this subgenre with it, and now all we have is that rubbish Straw Dogs remake and A Serbian Film, where the commentary on nationalism and European film culture is kind of hard to focus on when the main character puts his <censored> in the <censored> drugged while his son’s <censored> with an eye socket. Also, really cool beards. However, the genre could rise again like the undead, at least if we get some more films as good as Get Out. Continue reading