The science fiction genre is often seen as the origin of some of the most influential and famous movies of all time: Star Wars, Alien, 2001: A Space Odyssey, just to name a few. All of them turn to the stars for stories that, otherwise, would seem foolish to imagine.
However, Netflix’s latest surprise venture, The Cloverfield Paradox, elevates the once shaky camera footage of the original movie into a fully-fledged sci-fi thriller.
The Cloverfield Paradox follows a team onboard a space shuttle which is trying to find a way of sending unlimited power to a dying Earth. However, the device malfunctions, sending the crew into an alternate reality and wreaking havoc upon Earth. Continue reading
It was always going to be a tricky proposition to craft a sequel to Ridley Scott’s divisive 1982 film, Blade Runner. By divisive, I mean that while it has gained a cult following in the decades since its initial release, the film’s initial box-office run resulted in a gross that many would label ‘disappointing.’
Stuck in development hell for well over 20 years, Blade Runner 2049 as it’s now known entered the hands of sci-fi aficionado Denis Villeneuve since 2015. But has a wait of over three decades been kind to the finished film? Continue reading
By Adam Brannon. If you’re not aware there’s a new Transformers movie coming out this week; where have you been?
The fifth film in the long-running franchise, The Last Knight sees Mark Wahlberg return alongside fellow Transformers alumni, Josh Duhamel and series newcomer Anthony Hopkins to kick more Decepticon butt.
Michael Bay’s popular series has taken over $4billion at the global box-office despite being absolutely slaughtered by critics the world over.
To celebrate the release of The Last Knight, I’ve been trawling through the Transformers archives to pick out five moments that stand out as the best things that have ever happened in Transformers. Continue reading
By Rob Stoakes. Speaking as someone who is constantly marketing (go listen to my podcast and buy my debut novel) I can tell you right now that if there was a list of the worst things in the world, marketing would easily be in the top twenty, a space above the Suffolk Strangler and a space below a performance of Mamma Mia cast entirely with acid-spitting hornets.
It is a hideous thing, intruding on your lives, tricking and lying the gullible and vulnerable, and badgering people into buying overpriced products they don’t want. Though did I mention that you should listen to my podcast and buy my debut novel? Continue reading
By Rob Stoakes. So over at the Battleship Potemkast, the finest podcast on the seas, we’ve been doing a few retro reviews of the mainline Alien franchise in celebration of Alien: Covenant, which to be honest is a bit of a rubbish name. It’s the Matrix syndrome of taking a cool sounding word that means nothing and pairing it with alien. Alien Synthesis. Alien Carbohydrate. Alien Titillation.
Anyway, Alien is very similar to Star Wars, in that it is the absolute king of its own genre, space opera for Star Wars and sci-fi horror for Alien, and one of the most popular multimedia franchises this side of Pokemon, and the highs of the franchise are so good that it somehow makes people forget that about 90% of it is absolutely terrible.
So, of course, I am a huge Alien fan, so I get to drop the pretense of professionalism and indulge in my inner child, which normally I lock in the shed, to find out which of the mainline Alien films is actually the best. Strap in, folks; this road is bumpy. Continue reading