Super Dark Times review “A film that disturbs you into watching”

Super Dark Times posterIndie horrors are often classed as some of the best ones out there. It Follows, The Blair Witch Project and Saw are all examples of the indie horror genre creating something, a story so disturbing and chilling, that it lingers. Netflix has done that with Super Dark Times.

Super Dark Times follows best friends Zach and Josh as they navigate teenage life in the 1990s. However, a gruesome accident leads to a secret they need to keep, which eventually drives a wedge between them, propelling them down a rabbit hole of escalating paranoia and violence. Continue reading

The Disaster Artist review “Meticulously crafted”

The Disaster Artist posterThe experience of watching Tommy Wiseau’s ‘The Room’ should always be a shared one; that is, after you wade your way through the nonsensical plot lines and outlandishly bad yet perennially quotable dialogue, you may need someone there with whom to voice, what did I just watch?

Watching ‘The Room’ is a thought-provoking experience and one that leaves you full of questions like; How do bad movies get made? Who pays for them? Who made this bad movie and why am I enjoying it so much? And who is that guy with a face like Churchill’s left nut sack? Continue reading

“Marvel meets Inception” Doctor Strange review

10933939_858255040882983_331142605952023910_nDoctor Strange review: by Adam Brannon

UK certification: 12A

Let’s face it; Marvel rarely gets it wrong when it comes to crafting cracking superhero blockbusters. Sure, Avengers: Age of Ultron was an overstuffed mess but it had ambition and Iron Man 2 was fine when not compared to its predecessor.

Now, one of the biggest film studios in the world takes on its biggest gamble yet – more so than Guardians of the Galaxy was, and that’s saying something! But does Doctor Strange hit all the right notes or are we looking at Marvel’s first true dog’s dinner? Continue reading

“Some messed up Wolverine sequel” Don’t Breathe review

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Don’t Breathe review: by Rob Stoakes

UK certification: 15

If there’s one thing that the horror genre teaches us, it’s that disabled people are more evil than the hypothetical lovechild of Ernst Blofeld, Skeletor and an angler fish. Deliverance, Saw VI, Don’t Look Now, all of these films teach us that the disabled are to be feared and distrusted. When they aren’t asking you for help up the stairs, they’re stabbing you to death. Trick R Treat is the only time the disabled are at all treat sympathetically, and that’s only the one, and the rest of them turn into autistic murder zombies, which incidentally is also the name of my university black metal band. Continue reading

“Another case of threequel-itis” X-Men: Apocalypse review

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By Adam Brannon

“At least we can agree the third one is always the worst” barks a young Jean Grey in ­X-Men: Apocalypse. And whilst the film stays well away from the poor efforts of Spider-Man 3 and The Last Stand, there’s more truth to that statement here than director Bryan Singer would want you to believe.

X-Men: Apocalypse picks up after the events of its brilliant predecessor, Days of Future Past, as mutants and humans continue to live alongside each other, not necessarily in peace – but not in war either. Continue reading