Rampage is Hollywood’s recent attempt to make the video game genre work and be the next big thing. Anyone who has watched Doom or Super Mario Bros. would tell you that video game adaptations do not translate very well to the big screen. So it’s safe to say adapting a video game franchise is a big risk. An even bigger risk is making a movie based on a 1986 arcade game of the same name.
That involves enormous versions of animals destroying buildings while the army tries to stop them, it’s a premise we’ve seen before in movies like Godzilla and King Kong but can this video game adaptation hold a candle to those classics? Continue reading →
Indie horrors are often classed as some of the best ones out there. It Follows, The Blair Witch Project and Saw are all examples of the indie horror genre creating something, a story so disturbing and chilling, that it lingers. Netflix has done that with Super Dark Times.
Super Dark Times follows best friends Zach and Josh as they navigate teenage life in the 1990s. However, a gruesome accident leads to a secret they need to keep, which eventually drives a wedge between them, propelling them down a rabbit hole of escalating paranoia and violence. Continue reading →
The experience of watching Tommy Wiseau’s ‘The Room’ should always be a shared one; that is, after you wade your way through the nonsensical plot lines and outlandishly bad yet perennially quotable dialogue, you may need someone there with whom to voice, what did I just watch?
Watching ‘The Room’ is a thought-provoking experience and one that leaves you full of questions like; How do bad movies get made? Who pays for them? Who made this bad movie and why am I enjoying it so much? And who is that guy with a face like Churchill’s left nut sack? Continue reading →
Let’s face it; Marvel rarely gets it wrong when it comes to crafting cracking superhero blockbusters. Sure, Avengers: Age of Ultronwas an overstuffed mess but it had ambition and Iron Man 2 was fine when not compared to its predecessor.
Now, one of the biggest film studios in the world takes on its biggest gamble yet – more so than Guardians of the Galaxywas, and that’s saying something! But does Doctor Strange hit all the right notes or are we looking at Marvel’s first true dog’s dinner? Continue reading →
If there’s one thing that the horror genre teaches us, it’s that disabled people are more evil than the hypothetical lovechild of Ernst Blofeld, Skeletor and an angler fish. Deliverance, Saw VI, Don’t Look Now, all of these films teach us that the disabled are to be feared and distrusted. When they aren’t asking you for help up the stairs, they’re stabbing you to death. Trick R Treat is the only time the disabled are at all treat sympathetically, and that’s only the one, and the rest of them turn into autistic murder zombies, which incidentally is also the name of my university black metal band. Continue reading →