Logan review: by Adam Brannon
UK certification: 15
The X-Men franchise is as convoluted as Spaghetti Junction. Littered with constantly changing timelines, it has become the epitome of tiring and fans are getting exasperated too. With every great film (X2, X-Men: Days of Future Past), the series has followed it with some truly awful movies (X-Men: Origins Wolverine, X-Men: Apocalypse).
To this end, Hugh Jackman has finally decided to hang up his Adamantium claws after Logan, his ninth and apparently final outing as the grizzly hero. Are we third time lucky for his solo films?
Split review: by Rob Stoakes
UK certification: 15
It would be like M. Night Shyamalan to throw an out-of-nowhere, poorly telegraphed plot twist into reality itself.
There he was. Hollywood’s very own Icarus. Once called the new Stanley Kubrick after two knockout classics and one overrated but still alright flick, now one of the most popular punchlines in cinema history, a man who has no editing process in his own head and will let any idea get to paper without consideration of its worth.
It is a cautionary tale of what happens when an artist is told so early in his career that he is untouchable, and then continues to believe it long after the rest of the world changes its mind. Continue reading
Rogue One: A Star Wars Story review: by Adam Brannon
UK certification: 12A
The Star Wars universe just got a whole lot bigger. When Rogue One: A Star Wars Story was announced by Disney a couple of years ago, diehard fans of the sci-fi saga met the news with a huge dose of scepticism.
After all, the prequel trilogy was an unmitigated disaster, doing all it could to destroy not only the greatest villain in the history of film, but the series itself. Then Gareth Edwards was announced as director, whose film credits include the brilliant Monsters and Godzilla, which was critically praised but received a lukewarm reception publically.
THEN Disney announced the film was undergoing “heavy” reshoots to its first cut, reportedly due to executives being unhappy with the finished product’s tone.
So it’s clear that it’s not been plain sailing for Rogue One, but that headline isn’t a misprint – the finished article is just that damn good. But why? Continue reading
Adult animation, and I’m including anime in this, is very similar to the horror genre. It is a genre that is full of potential, has a loyal and dedicated fanbase, is a genre filled with many of the greatest films of all time… and about 99.9999999999999999999999998% is as tolerable and pleasant as sewage water being poured into a mouth ulcer.
The great animated films for adults made outside of Japan can be counted on your hands, and the ones made in Japan can be counted on the hands of any loved one you might have to hand. That list will include everything ever made by Laika. Ok, so they release a film as frequently as Haley’s Comet turning into a cheese wheel and they’re still child-friendly, but damn if those films aren’t worth the wait. When you start your existence as a studio with Coraline, you’re something us mere mortals are only allowed to appreciate in fleeting glimpses. Continue reading
By Adam Brannon
As tends to be the case with Hollywood, studios pay very close attention to their rivals release schedules, eyeing up potential competition to pit their films against, maxing box-office returns in the process.
And when Disney announced they were rebooting The Jungle Book in March this year, Warner Bros quickly responded with another jungle-themed film; The Legend of Tarzan. But does this interpretation on the classic character swing or fall? Continue reading