There are some movies that just become an instant hit. Everyone seems to love them – they’re all over the TV, a sequel is confirmed within 10 minutes of the movie being released, and everyone seems to be raving about this amazing and miraculous new film. This is what happened with The Greatest Showman (TGS). What makes it worse, is that it was a musical: even the radio wasn’t safe.
Now, I’m not denying the appeal of TGS, nor am I saying that it is badly made. However, the entire movie didn’t strike me as something to be ridiculously excited about, and the hype that has surrounded it ever since has slowly chipped away at my tolerance of the movie, as well as my will to live. Continue reading →
The year: 1996. In between From Dusk til Dawn and Independence Day came yet another 90s TV to movie adaptation, Mission: Impossible. As you can see 22 years later, it certainly succeeded as the sixth installment in the franchise was released, Mission: Impossible – Fallout.
Being the sixth in the franchise surprisingly still presents a lot of firsts with the first recurring director in Christopher McQuarrie, first recurring leading female in Rebecca Ferguson’s Ilsa Faust, and the first recurring villain in Sean Harris’s Solomon Lane. However, did the return of many key roles lead to a movie as fun and exciting as Mission: Impossible – Rogue Nation, or do we have another Mission: Impossible II on our hands. Let’s delve into that. Continue reading →
It’s always refreshing to see a film released primarily for the adult market. We all loved The Hunger Games, but imagine what the series could’ve been like had the franchise been given a 15 or even an 18 certification.
And Fifty Shades of Grey may have its critics (me being one of them) but at least it appealed to those of us not interested in sharing cinema screens with rambling tweens. The finest of the adult genre? Well, that has to be Gone Girl. But now there’s a new kid on the block, ready to steal its crown. Is The Girl on the Train a worthy adversary? Continue reading →