Horror is alive, and grotesque, in David Robert Mitchell’s It Follows. The movie is a nostalgic call back to 70s and 80s horror movies where no teenage couple is safe from the clutches of death. The haunting score and eerie atmosphere seamlessly move the horror and characters to their doom (a very John Carpenter vibe). But It Follows ups the ante by creating a monster that feels so much more personal and specific to its victim.
It Follows is director David Robert Mitchell’s breakout film who premiered it at the Cannes Film Festival in May 2014. It stars Maika Monroe as the cursed Jay Height and Lili Sepe as her sister Kelly Height. It also stars Keir Glichirst who also pays a leading role in the Netflix original Atypical (2017). Continue reading
Cinema is awfully quiet these days. Todd Haynes’s Wonderstruck and Kim Ki-Duk’s Moebius are among the small but substantial handful of films to have embraced the power of keeping schtum. In the cacophony of modern cinema, silence is an underrated commodity. John Krasinski’s directorial debut A Quiet Place is the latest to hold back on the sound in order to enhance the visual horrors. If ever a film had me inwardly crawling my way into a booby trapped bear pit whilst silently gabbering with fear, A Quiet Place is that film.
There’s been some kind of apocalyptic event, biological or alien that we don’t know, in which humanity (or the US at least) is now hunted by giant, super fast and super vicious reptilian creatures. Completely blind, they hunt with an acute sense of hearing meaning survivors must live in a constant state of silent, fearful anticipation. Even the slightest noise will draw them out and if they hear you, well, you’ll see. Continue reading