Like something from American Psycho (Mary Harron, 2000) and the film’s clever opening credits in which we see raspberry coulis dripping on a white dinner plate, looking a lot like blood. The Platform in a similar sense shows decadent cuisine that represents class structures and the violence that will prevail around these tiers. In its opening, e witness a high-class banquet preparation which is then contrasted by the people below, the ones who are imprisoned in a hole.
The hole is a strange high tech concept that is like solitary confinement but with changing inmates. We meet the main newcomer Goreng (Ivan Massagué) and an older grisly man, Trimagasi (Zorion Eguileor) who has nearly completed his journey and is no stranger to this setup. However, this is not a prison system as such, and we learn that Goreng has chosen to be here. As it is explained by the company’s Imoguiri, the familiar Spanish actor Antonia San Juan (All About My Mother), it is a “Vertical Self- Management Center”. Continue reading
It is humbling going into a film knowing that there will be some kind of social message. As a horror enthusiast, I have always enjoyed this aspect of film. It only makes sense that taboo or harder to tackle subjects could easily be infused into the genre allowing for creativity or confrontational situations.
In this case, Faulty Roots, a short film written, directed and produced by 18-year-old Ella Greenwood has a message. Greenwood plays the main character of Lola who suffers from depression. She meets up with friend Zack (Sani Thabo) who has an incurable genetic illness and they form a bond. Continue reading
Jane Austen is responsible for many of the world’s most beloved romance novels. From Pride and Prejudice, to Sense and Sensibility, she has paved the way for the modern rom-com. Her tales have graced both the big and little screen in the form of period dramas, and 90s LA girl fantasies.
However, Emma (arguably Austen’s funniest work) isn’t necessarily the first novel you think of when you think about the iconic author. Its most recent adaptation, directed by Autumn de Wilde, is a full-on, aesthetic overload, with frills left, right, and centre. But, is it any good? Continue reading
The Universal Monster films are the original MCU. With their interconnectivity and recurring characters, these serialized adventures were our first look at franchises which could crossover. One of the characters who received multiple films is The Invisible Man. At time of writing, I’ve only seen the first two Invisible Man films, the first of which is an extremely goofy romp that’s enjoyable to watch.
The second is a boring mess that spoils nearly all of the goodwill the first one had. Nevertheless, for the start of the Dark Universe, we were told that it would include an Invisible Man film starring Johnny Depp. Luckily, because that sounds awful, the Dark Universe’s triumphant first firing of the Dark Universe Cannon ended up being The Mummy (2017), which ended up tipping the cannon over right into the offices at Universal Studios and blowing a hole through the office. Continue reading
The last time Pixar released two films in the same year was 2015. The first of their double act ended up being one of their best, Inside Out. A touching, beautifully animated adventure that ranks highly alongside Up, Wall.E and of course the Toy Story series.
Unfortunately, their second effort, The Good Dinosaur was by all accounts, a bit of a mess. Released by any other animation studio, The Good Dinosaur would have been perfectly serviceable, but it lacked the usual Pixar sparkle, despite some incredible animation.
Fast forward five years and Pixar are at it again; releasing two films in the same year. Soul is out in cinemas later in 2020, but our first contender is Onward. But is it up to the standard of Pixar’s classics, or more akin to their forgettable adventures? Continue reading