It would be easy to write off X-Men: Dark Phoenix as a complete and utter disaster. With the departure of Bryan Singer (again) from the franchise, first-time director Simon Kinberg taking his place and rumours of costly reshoots pushing the budget north of $200million, things weren’t looking good for this adaptation of the popular Marvel comic.
Let’s not forget that the last time Fox tried to adapt this storyline we ended up with 2006’s The Last Stand, and the less said about that the better. Looking back over the last 20 years, the X-Men’s film franchise history has been chequered to say the least.
Nevertheless, this particular timeline that started with Matthew Vaughn’s adequate First Class, followed up by the excellent Days of Future Pastand the flabby Apocalypseends with Dark Phoenix. But is it worthy of your consideration? Continue reading →
Nordic noir is big business at the moment, but with the incredible scenery of the locations lending themselves perfectly to film, is there any wonder?
The Girl with the Dragon Tattoo and The Hypnotist are just a couple of movies that have fallen into this massively expanding genre.
Now, Jo Nesbø’s chilling The Snowman novel gets the silver screen treatment in a film of the same name. But can this continue the thrilling trend of whodunit novels being turned into fabulous crime dramas? Continue reading →
“At least we can agree the third one is always the worst” barks a young Jean Grey in X-Men: Apocalypse. And whilst the film stays well away from the poor efforts of Spider-Man 3 and The Last Stand, there’s more truth to that statement here than director Bryan Singer would want you to believe.
X-Men: Apocalypse picks up after the events of its brilliant predecessor, Days of Future Past, as mutants and humans continue to live alongside each other, not necessarily in peace – but not in war either. Continue reading →
Starring: Michael Fassbender, Marion Cotillard, Sean Harris
REVIEW AUTHOR: Rob Stoakes
Film adaptations of Macbeth must do wonders for the artificial fog business. There you are, only making money for if anyone wants to set a scene in a swamp or some alien planets if the film is made on the cheap and can only afford to go to the local quarry, and then someone decides to take a shot at the Scottish Play and you’re rolling in dough. Even if it’s a transposition of Macbeth to another setting, like Akira Kurosawa’s Throne of Blood, it seems you can’t get enough fog into Macbeth.
This most recent adaptation, helmed by Justin Kurzel, seems to be the foggiest yet, especially towards the end. At the climax, Burnham Wood is burning, and the fog is so thick that all the actors are just blood-red silhouettes. It’s even foggy indoors at times. It’s a wonder anyone in Scotland can actually see what they’re doing at all. Continue reading →