DC seems to have been getting into the swing of things of late. After trying (and failing) to out Marvel the MCU with catastrophic flops like Justice League and Suicide Squad, they decided to switch things up a little and stop taking themselves too seriously.
From then on, we’ve had Aquaman, Shazam! and last year’s fabulous, Oscar-nominated Joker. But let’s rewind just a tad. You see, while Suicide Squad was a hot mess of a film, it had one redeeming feature: Margot Robbie.
Film execs down at DC cottoned on to the fact that Robbie’s Harley Quinn was by far the best part of the movie and decided to give the character her very own picture. How nice. But is the resulting film a corker? Or are we looking at another bargain basement comic-book adaptation? Continue reading
You may remember that in October 2018, I reviewed a film called Bad Times at the El Royale. I really enjoyed that movie, which took place in the sixties, featured a star-studded cast, and mainly revolved around a Charles Manson-esque serial killer. I called it “Tarantino-esque Fun”. Now, we have Once Upon a Time… In Hollywood from Quentin Tarantino himself, which takes place in the sixties, featured a star-studded cast, and was said to revolve around Charles Manson.
I can say there are a few differences here though, Bad Times is much more of a thriller while this is more of a dramedy. I also enjoyed watching Bad Times and found this movie to be a massively underwhelming, somewhat dull, and meandering disappointment. I mean, everything seemed like it was going to be great, right? Tarantino, a ton of great actors, a cool set-up with the Manson murders, as well as a character named Daulton, even if they did spell it wrong. Everything seemed to say that this would be an incredible movie, so went wrong? Well, allow me to tell you why in the review of Once Upon a Time… in Hollywood. Continue reading
In January, the readers of Movie Metropolis were asked to take part in the second annual Alternative Oscars. With films not recognised by the Academy Awards from the last twelve months, including Deepwater Horizon and The Jungle Book, this year’s selection of films faced tough competition.
As a new feature, you can now see how the winners and runners up performed. Each of the top three has their voting performances, displayed as percentages, attached alongside their names.
Nearly 350 votes were cast, so, without further ado, let’s take a look at this year’s winners! Continue reading
By Adam Brannon
It’s hard to remember such a lacklustre summer blockbuster season. From unnecessary sequels to underwhelming novel adaptations, it’s been one disappointment after another.
After the criticism of spring’s Batman v Superman, DC Comics and Warner Bros. really needed a hit on their hands if they were to compete with the Marvel Cinematic Universe. Suicide Squad is their answer, but after an exhaustive marketing campaign, is the final product any good? Continue reading
By Adam Brannon
As tends to be the case with Hollywood, studios pay very close attention to their rivals release schedules, eyeing up potential competition to pit their films against, maxing box-office returns in the process.
And when Disney announced they were rebooting The Jungle Book in March this year, Warner Bros quickly responded with another jungle-themed film; The Legend of Tarzan. But does this interpretation on the classic character swing or fall? Continue reading