After Stan & Ollie finished, all I could think of was Bohemian Rhapsody. This was not unusual for me at the time. Bryan Singer’s travesty that we were politely referring to as a “movie” had really wormed its way into my psyche. Not just because it was so bad— and it was so unbelievably bad— but also because everyone seemed to like it. When I asked anyone why their answer was “it’s about Queen, why wouldn’t I like it?”
This shouldn’t surprise me, of course, people love biopics. There’s something exciting about seeing people who were real brought to life on screen. The issue is that biopics are often awful. There exists, I think, a desire to capture every part of a person’s life. Continue reading →
Joaquin Phoenix, John C. Reilly, Riz Ahmed, and Jake Gyllenhaal all in a comedy-western, directed by Jacques Audiard which was given fantastic reviews and an amazing trailer sounds like it should combine to make one of the best movies of 2018, right?
I saw this on the film’s opening day in a surprisingly empty theatre and was extremely excited as it had been delayed by weeks. I patiently watched as the trailers and opening credits rolled by, with an entire screen filled with all the production companies moved past to the opening scene. Now, I haven’t seen many westerns, but the ones I have I really enjoy. Django Unchained and The Hateful Eight are fantastic films, both of which I own on Blu-Ray. However, with The Sisters Brothers, I was severely disappointed, and let me discuss why. Continue reading →