Horror is alive, and grotesque, in David Robert Mitchell’s It Follows. The movie is a nostalgic call back to 70s and 80s horror movies where no teenage couple is safe from the clutches of death. The haunting score and eerie atmosphere seamlessly move the horror and characters to their doom (a very John Carpenter vibe). But It Follows ups the ante by creating a monster that feels so much more personal and specific to its victim.
It Follows is director David Robert Mitchell’s breakout film who premiered it at the Cannes Film Festival in May 2014. It stars Maika Monroe as the cursed Jay Height and Lili Sepe as her sister Kelly Height. It also stars Keir Glichirst who also pays a leading role in the Netflix original Atypical (2017). Continue reading →
Indie horrors are often classed as some of the best ones out there. It Follows, The Blair Witch Project and Saw are all examples of the indie horror genre creating something, a story so disturbing and chilling, that it lingers. Netflix has done that with Super Dark Times.
Super Dark Times follows best friends Zach and Josh as they navigate teenage life in the 1990s. However, a gruesome accident leads to a secret they need to keep, which eventually drives a wedge between them, propelling them down a rabbit hole of escalating paranoia and violence. Continue reading →
Looking back on it, I’m not so sure that I liked It Follows as much as I thought I did. While it is tense and much smarter than the average modern horror, there’s not much in the way of scares and it’s got a very ho-hum anti-climax.
Aside from that really good beach scene, it’s mostly an inferior version of Under The Skin. And yet if you read reviews or went on the internet, It Follows was the Second Coming of Horror Christ. The Witch was pretty similar, a film I enjoyed but thought was just good being lauded as a masterpiece. Why? Continue reading →