Peele’s sudden and swift success with Get Out (2017) left many wondering if the sketch comedian turned director really could be the horror pantheon’s saviour. After a lean half century brimming with blood, gore and gratuitous torture porn, the genre emerged into something of a renaissance. Following the release of Get Out came a swath of imaginative and intelligent thrillers like Raw (2016), The Babadook (2014) and It Follows (2014) and the horror genre began to establish itself as the go-to vehicle for social commentary.
By far the most commercially successful iteration was Get Out, which grossed just over $250 million worldwide. But after such overwhelming success, could Peele really do it again with Us? Well, the answer is yes. Just as Get Out was a chilling survival horror that had oh-so-relevant things to say about the African-American experience, Us is a chilling survival horror that equally has a significant amount to say about duality, privilege and the swelling vein of apathy running through the heart of America. Continue reading
The end of the world has been presented in many different ways. Huge natural disasters, aliens, even humans themselves, have been responsible for the apocalypse. However, Netflix’s newest release, Bird Box, won’t let you see what is causing the end of the world – because it makes you die.
Bird Box follows Malorie (Sandra Bullock), a pregnant woman who is desperately trying to survive a world where people keep randomly committing suicide after seeing an unknown entity. Continue reading
Ah, Christmas: the most wonderful time of the year. Full of joy, cheer and watching the same Yuletide movies over and over again. However, the festive season need not be a cacophony of monotony – here are 10 Christmas movies that might just knock you out of that joyful rut.
Like what you see? Check out our Emily White’s picks for the best Alternative Christmas Movies for those of you who hate Christmas.
Eliciting horror in film is, in my opinion, one of the most difficult tasks a director can take on. Meticulous planning in camera, lighting and pacing and so much more go into leaving an impression on the audience. As a huge fan of horror, I recently gave The Shining a watch, one of the undisputed champions of the horror genre.
Although it lived up to its reputation as being scary as hell, I was left scratching my head by the end of it. I couldn’t pinpoint why I found it so scary. There weren’t any jump scares or tense music cues to reveal an ugly monster or any other conventional horror means of scariness. Continue reading
Horror is alive, and grotesque, in David Robert Mitchell’s It Follows. The movie is a nostalgic call back to 70s and 80s horror movies where no teenage couple is safe from the clutches of death. The haunting score and eerie atmosphere seamlessly move the horror and characters to their doom (a very John Carpenter vibe). But It Follows ups the ante by creating a monster that feels so much more personal and specific to its victim.
It Follows is director David Robert Mitchell’s breakout film who premiered it at the Cannes Film Festival in May 2014. It stars Maika Monroe as the cursed Jay Height and Lili Sepe as her sister Kelly Height. It also stars Keir Glichirst who also pays a leading role in the Netflix original Atypical (2017). Continue reading