The horror genre is, arguably, one of the most predictable movie genres around. Stuffed to the brim with tropes, stereotypes and predictability, it can feel like you’re watching the same film over and over again. However, Japanese filmmaker Shin’ichirô Ueda had a different idea for his zombie flick, One Cut of the Dead. However, does it break new ground, or is it a resurrection of a movie that has already been made?
One Cut of the Dead is a story in three acts. It begins with a group of people who are filming a low-budget zombie horror movie in a disused water filtration plant, but then are attacked by real zombies. Carnage ensues for about half an hour, before the movie takes a completely surprising turn. Without giving too much away, it’ll have you crying, but not in a scared way. Continue reading
The 1980’s has become a ‘flavour of the month’ for many a medium in the 21st century. Maybe it’s because the filmmakers of today were the children of the 1980s, or maybe it’s just because the 1980’s is one of the most idealised periods of time. Children riding on bikes, nothing to be scared of. However, Summer of 84 would disagree that there’s nothing for kids to be scared of, even in the 80s.
Summer of 84 follows a group of kids as they try to prove that their next door neighbour, Mr Mackey, is a notorious serial killer. As with all good homages to the 80s, it’s got good music, bad fashion and a lot of walkie talkies. Continue reading
In the year 2004, the film Saw was released, and people just went crazy over it, and… I kinda get it. I do really like the ending and it does have some good scares, but besides that it’s a pretty dull movie that created the torture gimmick that many horror movies now practice.
Escape Room is the latest film to jump on the bandwagon and I was not excited for it at all. In the last two years, the first ventures into horror have been Insidious: The Last Key and The Bye Bye Man, the latter being one of my least favorite films ever made. Does Escape Room break the curse? Let’s talk about that, and the Saw movies, I’ll be talking about those a lot too here. Continue reading
Whether you call them apparitions, ectoplasms, or guilt-ridden hallucinations, ghosts have made their presence known in and out of fiction. Ghosts have a creative edge by being universal and interpreted in many forms. They can be vengeful sprits or helpful guides to the living. Netflix’s newest ghost story, I Am the Pretty Thing That Lives in the House, is a more traditional take on the ghost. They are opaque, haunting and a real hassle for the living. With such an established trope (and before I make a bad ghost pun), let’s take a look at what I Am the Pretty Thing That Lives in the House brings to the table.
I Am the Pretty Thing That Lives in the House is about a hospice nurse named Lily (Ruth Wilson) who is hired to look over the elderly Iris (Paula Prentiss) in her haunted estate. The movie opens with narration from Lily retelling her deadly experience in the house and from there the her words come to fruition. Continue reading
Eliciting horror in film is, in my opinion, one of the most difficult tasks a director can take on. Meticulous planning in camera, lighting and pacing and so much more go into leaving an impression on the audience. As a huge fan of horror, I recently gave The Shining a watch, one of the undisputed champions of the horror genre.
Although it lived up to its reputation as being scary as hell, I was left scratching my head by the end of it. I couldn’t pinpoint why I found it so scary. There weren’t any jump scares or tense music cues to reveal an ugly monster or any other conventional horror means of scariness. Continue reading