Part of this post is sponsored by 4DX Cinemas. With poignancy and heart on its side, 2017’s IT managed to avoid its occasional flaws to become an unnerving addition to the horror genre. While the film could never be classed as outright terrifying, the character of Pennywise, portrayed exceptionally by Bill Skarsgard, is an unsettling antagonist and one of the best in film.
Two years later, the town of Derry is back on the big screen in Andy Muschietti’s epic conclusion. But at nearly 3 hours long, is IT: Chapter Two just a bloated mess, or does it float to new heights? Continue reading
“Euhuheh” – A quote from me in four separate scenes in Scary Stories to Tell in the Dark. After either the first or second trailer, I can’t remember which, I was really worried about this movie. It appeared to be the standard scares that you’ll find in any PG-13 horror film like Escape Room or Happy Death Day 2U, as well as the pretty bad CG Ghost of Sarah Bellows, and that scared me going into it.
Then the reviews were positive and I became optimistic, so when I saw this film on opening weekend, I had a sense of cautious optimism. As the credits rolled, I found myself relieved, as this is the second best horror film of 2019. So, let’s get into Scary Stories to Tell in the Dark. Continue reading
Watch the walls. Director Ari Aster’s advice to cinema-goers heading out to see his second directorial feature may seem strange, but it makes sense once you see it. Aster’s Hereditary (2018) follow-up is sunny, funny and so pretty you barely notice the horror.
Our protagonist Dani is reaching the end of a four-year relationship with Christian (Jack Reynor), an uninterested, inattentive boyfriend who wanted to end it months ago but stayed with Dani when tragedy befalls her and her family. Dani joins Christian and his pals Josh (William Jackson Harper), Mark (Will Poulter) and Swedish native Pelle (Vilhelm Blomgren) for a nine day once-in-a-lifetime festival celebrating midsommar in Pelle’s hometown of Halsingland. Continue reading
Peele’s sudden and swift success with Get Out (2017) left many wondering if the sketch comedian turned director really could be the horror pantheon’s saviour. After a lean half century brimming with blood, gore and gratuitous torture porn, the genre emerged into something of a renaissance. Following the release of Get Out came a swath of imaginative and intelligent thrillers like Raw (2016), The Babadook (2014) and It Follows (2014) and the horror genre began to establish itself as the go-to vehicle for social commentary.
By far the most commercially successful iteration was Get Out, which grossed just over $250 million worldwide. But after such overwhelming success, could Peele really do it again with Us? Well, the answer is yes. Just as Get Out was a chilling survival horror that had oh-so-relevant things to say about the African-American experience, Us is a chilling survival horror that equally has a significant amount to say about duality, privilege and the swelling vein of apathy running through the heart of America. Continue reading
The horror genre is, arguably, one of the most predictable movie genres around. Stuffed to the brim with tropes, stereotypes and predictability, it can feel like you’re watching the same film over and over again. However, Japanese filmmaker Shin’ichirô Ueda had a different idea for his zombie flick, One Cut of the Dead. However, does it break new ground, or is it a resurrection of a movie that has already been made?
One Cut of the Dead is a story in three acts. It begins with a group of people who are filming a low-budget zombie horror movie in a disused water filtration plant, but then are attacked by real zombies. Carnage ensues for about half an hour, before the movie takes a completely surprising turn. Without giving too much away, it’ll have you crying, but not in a scared way. Continue reading