The horror genre is, arguably, one of the most predictable movie genres around. Stuffed to the brim with tropes, stereotypes and predictability, it can feel like you’re watching the same film over and over again. However, Japanese filmmaker Shin’ichirô Ueda had a different idea for his zombie flick, One Cut of the Dead. However, does it break new ground, or is it a resurrection of a movie that has already been made?
One Cut of the Dead is a story in three acts. It begins with a group of people who are filming a low-budget zombie horror movie in a disused water filtration plant, but then are attacked by real zombies. Carnage ensues for about half an hour, before the movie takes a completely surprising turn. Without giving too much away, it’ll have you crying, but not in a scared way. Continue reading
The Handmaiden review: by Rob Stoakes
UK certification: TBC
Park Chan-wook is possibly a lunatic. You might not be familiar with his name, but you’ve definitely heard of Old Boy. If you haven’t seen Old Boy, by the way, I will hunt you down and eat your soul. But yeah, the man has a brand of insanity that is hard to place. His stories are all skeevy, with a violent and sexual edge that makes most of his films difficult to watch, but he then breaks it up with goofy slapstick. It’s like if Charles Manson made the Looney Tunes.
Take his most recent film, The Handmaiden. Wikipedia describes it as “an erotic psychological thriller”, but some of these scenes wouldn’t go amiss in a Minions picture. There are several pratfalls, an artist looking to his student to find an embarrassing stick figure on her canvas, and the main character stopping someone from hanging themselves and then dropping them while distracted. If the Curb Your Enthusiasm theme was in this, this would be the best comedy of the year. Continue reading