Turning 30 is a big deal, and don’t let anyone tell you otherwise. With some trepidation, I entered my fourth decade on this earth in August 2019, and the lack of a world-changing event was surprising by its absence. Perhaps I had built it up to be something more than it was.
Nevertheless, I intend to spend my next decade seeing as many places as I can, trying new things and watching as many films as possible. With that in mind, I decided to get right back to where I started – way back in 1989. These are the top five movies from 1989: the year of my birth. Let me tell you, this wasn’t an easy list to make – 1989 had some cracking films released, but I’ve managed to narrow it down to just five. Without further ado, let’s take a look. Continue reading
2014’s Godzilla was a thrilling and somewhat underrated return to form for the king of the kaiju. Directed by visionary film-maker Gareth Edwards, Godzilla’s return to the big screen was beautifully filmed with some of the best set pieces ever seen on celluloid. It certainly made up for the Roland Emmerich monstrosity that shall remain nameless here.
Little did we know 5 years ago that Edwards’ mega movie would be the start of a franchise culminating in a battle of the ages: Godzilla vs Kong. Follow-up film Kong: Skull Island was again, beautifully filmed, feeling like a movie from a completely different era. Now the follow-up to the follow-up is here. Still with us? Good. Continue reading
YouTube comedian-turned internet sensation-turned filmmaker Bo Burnham recently described his directorial debut as “an attempt to represent the kids who live their lives online.” To describe Eighth Grade (2018) as merely an attempt would be a true disservice. Burnham feature debut is a exquisitely insightful look into the agony of growing up in the age of the internet.
Hailed by many as a strikingly accurate portrayal of what it means to be a Gen Z-er, Burnham prompts an in-depth conversation about the plight of ‘post-millennials’ who, in his own words, have been “forced by a culture they did not create to be conscious of themselves at every moment.” Yet for all for it’s cutting cultural commentary, Eight Grade succeeds because Burnham has created a universally human story; one that gives you all the laughs and all the feels. Continue reading
Two films, two usually silent main characters, two British-born actresses as love interests, and two super awesome jackets. Both Drive and Baby Driver are among my favorite films of all time, with their immense style, amazing direction, top-notch editing, and truly thrilling action.
However, the debate rages on about which of the two films is better, the 2011 Ryan Gosling vehicle or the 2017 Ansel Elgort film. Now, while I do have a preference, I decided to see examine them in five key categories to see what was truly the best. Those five categories are storytelling, acting, characters, visuals, and overall enjoyability. All there is left to do is compare the two, and now it’s time for our first ever Celluloid Clash. Continue reading
After Stan & Ollie finished, all I could think of was Bohemian Rhapsody. This was not unusual for me at the time. Bryan Singer’s travesty that we were politely referring to as a “movie” had really wormed its way into my psyche. Not just because it was so bad— and it was so unbelievably bad— but also because everyone seemed to like it. When I asked anyone why their answer was “it’s about Queen, why wouldn’t I like it?”
This shouldn’t surprise me, of course, people love biopics. There’s something exciting about seeing people who were real brought to life on screen. The issue is that biopics are often awful. There exists, I think, a desire to capture every part of a person’s life. Continue reading