Nothing sets the tone better for a movie than a bit of historical revisionism. The Aeronauts, starring Eddie Redmayne, follows the real-life exploits of James Glaisher as he embarks on a perilous adventure in the name of scientific advancement. Where the film departs from reality is in Glaisher’s co-pilot, actual companion Henry Coxwell is replaced by fictional hot air balloon pilot, Amelia Wren (played by Felicity Jones).
Armed with this knowledge before entering the cinema, I went in fully aware that I was in for more melodrama than meteorology. Continue reading
Ten years is a long time in Hollywood. Ten years ago, to this day Avatar was yet to be released to the unsuspecting masses, with Titanic still reigning supreme over the global box-office and debutant director Ruben Fleischer surprised the cinema-going public with Zombieland.
Made on a tiny budget of just over $20million, it went on to gross over $100million globally and received unanimous praise. A sequel was widely expected in the years that followed but never materialised. That’s probably down to a few things; one being Emma Stone’s meteoric rise to fame, Jesse Eisenberg starring in some of the biggest and most celebrated films of the decade that followed and Woody Harrelson, well, being Woody Harrelson (that’s not a dig, we love you Woody).
Fleischer meanwhile went on to direct 30 Minutes or Less, Gangster Squad and Venom among a couple of other projects. The time for a Zombieland sequel came and went with the film’s core fanbase hoping that one day they’d get what they desired. Continue reading
I’m not going to sit here and tell you that Avengers: Endgame is the best movie of the MCU, because frankly; it isn’t. It’s not even in my top three. However, as a culmination of everything Marvel has been working up to since 2008, it has to be applauded.
From a technical standpoint, Endgame is like nothing else we’ve ever seen come to the big screen, with a cast that pushes the film to breaking point, characters we remember from movies past and some we had perhaps forgotten about hit the screen in epic fashion. But how good is the finished product? Continue reading
The horror genre is, arguably, one of the most predictable movie genres around. Stuffed to the brim with tropes, stereotypes and predictability, it can feel like you’re watching the same film over and over again. However, Japanese filmmaker Shin’ichirô Ueda had a different idea for his zombie flick, One Cut of the Dead. However, does it break new ground, or is it a resurrection of a movie that has already been made?
One Cut of the Dead is a story in three acts. It begins with a group of people who are filming a low-budget zombie horror movie in a disused water filtration plant, but then are attacked by real zombies. Carnage ensues for about half an hour, before the movie takes a completely surprising turn. Without giving too much away, it’ll have you crying, but not in a scared way. Continue reading
When looking at directors with their own unique style you think of Tim Burton and his take on the Gothic, Edger Wright and the way he portrays action, but when you look at Guillermo del Toro’s work you realise that nobody could copy his style. Making the audience look at the supernatural with beauty as well as the terrifying and the Shape of Water is truly his love letter to classic monster movies, particularly The Creature from the Black Lagoon.
The film follows Elisa Esposita (Sally Hawkins), a cleaner at a top secret USA facility during the 1960s. Elisa creates a bond with an amphibious creature who is being held captive by the US government, being guarded and tortured by the very cruel Richard Strickland (Michael Shannon). Continue reading