A Quiet Place review “Quietly terrifying”

A Quiet Place movie posterCinema is awfully quiet these days. Todd Haynes’s Wonderstruck and Kim Ki-Duk’s Moebius are among the small but substantial handful of films to have embraced the power of keeping schtum. In the cacophony of modern cinema, silence is an underrated commodity. John Krasinski’s directorial debut A Quiet Place is the latest to hold back on the sound in order to enhance the visual horrors. If ever a film had me inwardly crawling my way into a booby trapped bear pit whilst silently gabbering with fear, A Quiet Place is that film.

There’s been some kind of apocalyptic event, biological or alien that we don’t know, in which humanity (or the US at least) is now hunted by giant, super fast and super vicious reptilian creatures. Completely blind, they hunt with an acute sense of hearing meaning survivors must live in a constant state of silent, fearful anticipation. Even the slightest noise will draw them out and if they hear you, well, you’ll see. Continue reading

“A victim of its marketing” The Girl on the Train review

10933939_858255040882983_331142605952023910_nThe Girl on the Train review: by Adam Brannon

UK certification: 15

It’s always refreshing to see a film released primarily for the adult market. We all loved The Hunger Games, but imagine what the series could’ve been like had the franchise been given a 15 or even an 18 certification.

And Fifty Shades of Grey may have its critics (me being one of them) but at least it appealed to those of us not interested in sharing cinema screens with rambling tweens. The finest of the adult genre? Well, that has to be Gone Girl. But now there’s a new kid on the block, ready to steal its crown. Is The Girl on the Train a worthy adversary? Continue reading