Phantom Thread review “Anderson is on top form”

Phantom Thread posterPaul Thomas Anderson has built a career on his endless fascination with dysfunctional anthropoid relationships and characters with a masochistic tendency for extreme self-examination or flagellation.

Just a brief glance at his filmography is evidence for this: Philip Seymour Hoffman’s awkward, sexually repressed boom operator Scotty in Boogie Nights, the messed up multi-faceted bunch of unravelling familial ties in Magnolia, the Scientology-esque oppressive cult of The Master and Punch-Drunk-Love’s tortuous fairytale romance. And now he’s back again, hopping across the pond for this tailor-made gothic romance set in the late 1950s, post-war London. Continue reading