I’ve lived a lot of places, and therefore, I’ve met a lot of people with different birthdays. I know someone that turned 18, and celebrated by seeing Avengers: Endgameon its opening night. I also know people that got to see movies like Knives Out, Toy Story 3, and Dawn of the Planet of the Apes. And what was I so lucky to get for my birthday? None other than the new Tiffany Hadish and Rose Byrne film, Like a Boss.
This is a film with some people that have shown they are funny in the past, Salma Hayek in The Hitman’s Bodyguard, Rose Byrne in Instant Family, and Tiffany Haddish in [no movies found], so the fact that this movie would be garbage wasn’t a given.
However, shocking everyone in the cinema landscape, Like a Boss is one of the worst films of the year. I know the year is still early, but seriously, I can’t imagine it leaving the bottom five, even with the sequel to After coming out soon. So, what could make a movie so bad that I declare it one of the years worth with another 48 weeks of movies left to come out? Well, come with me, and I’ll show you a whole world of garbage, with this review of Like a Boss.Continue reading →
Having gone to three high schools myself during my teenage tenure, I feel like I have more knowledge about different kinds of high schools than the average person. That being said, if the things that happened in this movie happen, I must have missed out because Booksmart is freaking insane. It’s a good insane, one of my favourite comedies ever made insane, but insane regardless. The directorial debut of Olivia Wilde is the best comedy I’ve seen since Game Night, which was also among my favourite films of the year. Enough lollygagging though, let’s dive into Booksmart.
So the best thing about Booksmart is the comedy, and it is so funny. For a movie to actually get an audible laugh from me is rare. Does it happen from time to time? Yeah, I audibly chuckled a few times in Long Shot, and I had probably one or two extended laughs during Isn’t it Romantic, but my laughter in Booksmart was just constant. The lengths that our heroes go to in order to prove that they’re cool is astounding and the ways that they mess up in this endeavour are even funnier. Continue reading →
Watching Home Again is an experience akin to drinking an entire bottle of a Muscat-Blanc. It’s deliciously sweet and gets you all giddy to begin with but ultimately you’re going to wake up with a head-ache. The debut feature from Hallie Meyers-Shyer, daughter of the genre empress Nancy Meyers and Charles Shyer, continues the family tradition of the perky female rom-com with a keen eye for soft furnishings and pristine kitchen-ware.
Alice (Reese Witherspoon) plays a recently separated mother of two going through a bit of a rough patch. By rough patch I mean that she is unable to truly express herself in her work as an interior designer, whilst living in a plush LA mansion she inherited (along with a comfortable bank account) from her deceased millionaire father, who was once the darling of old Hollywood gentry. Because you know, money isn’t everything. Continue reading →
Ah, Christmas: the most wonderful time of the year. Full of joy, cheer and watching the same Yuletide movies over and over again. However, the festive season need not be a cacophony of monotony – here are 10 Christmas movies that might just knock you out of that joyful rut.
I went into this film optimistic. Yes, the trailer looks terrible, and the script is weak and the plot is cheesier and holey-er than a slice of Emmental, but, Kate McKinnon. Aside from being the biggest, best and funniest in her regular slots on SNL, her big screen debut in the all female reboot of Ghostbusters(2016) firmly cemented her reputation for being a sparkling comedic presence. Sadly, even McKinnon couldn’t save this bland, unfunny, girls-gone-wild caper, delivering poorly-scripted lines by yelling and sticking out her tongue.
The comedy, or lack there of, isn’t the only problem with The Spy Who Dumped, a title that may have duped many an unsuspecting cinema-goer by being smarter than the film itself. The problem with this movie is that it strives to be so many things and doesn’t do any of them right. The violence is extreme and goofy, the kind you might see in an Edgar Wright movie except this isn’t an Edgar Wright movie and the gore just seems out of sync when set against the attempts of spoofy comedy. The film also takes tentative steps into rom-com territory that leads onto a number of bizarrely unfunny series of vagina gags. Director Susanna Fogel clearly had big ideas for this girl-power spy spoof romp, but ultimately fails to see them through.Continue reading →