Eliciting horror in film is, in my opinion, one of the most difficult tasks a director can take on. Meticulous planning in camera, lighting and pacing and so much more go into leaving an impression on the audience. As a huge fan of horror, I recently gave The Shining a watch, one of the undisputed champions of the horror genre.
Although it lived up to its reputation as being scary as hell, I was left scratching my head by the end of it. I couldn’t pinpoint why I found it so scary. There weren’t any jump scares or tense music cues to reveal an ugly monster or any other conventional horror means of scariness. Continue reading