Get Out review: by Rob Stoakes
UK certification: 15
Social horror is a dying genre, and no it’s not how I feel when I awkwardly try to interact with other human beings. No, horror where the scary aspect comes from or inspired by a societal issue. When communism was about there were tonnes of them, like The Thing, Invasion of the Bodysnatchers and any of George Romero’s films.
Now, though, it seems like when the Berlin Wall fell it took this subgenre with it, and now all we have is that rubbish Straw Dogs remake and A Serbian Film, where the commentary on nationalism and European film culture is kind of hard to focus on when the main character puts his <censored> in the <censored> drugged while his son’s <censored> with an eye socket. Also, really cool beards. However, the genre could rise again like the undead, at least if we get some more films as good as Get Out. Continue reading
Split review: by Rob Stoakes
UK certification: 15
It would be like M. Night Shyamalan to throw an out-of-nowhere, poorly telegraphed plot twist into reality itself.
There he was. Hollywood’s very own Icarus. Once called the new Stanley Kubrick after two knockout classics and one overrated but still alright flick, now one of the most popular punchlines in cinema history, a man who has no editing process in his own head and will let any idea get to paper without consideration of its worth.
It is a cautionary tale of what happens when an artist is told so early in his career that he is untouchable, and then continues to believe it long after the rest of the world changes its mind. Continue reading
Sing review: by Adam Brannon
UK certification: U
Talking animated animals are big business over in Hollywood. After all, Disney’s Zootopia was one of only a handful of films to gross over $1billion last year. Its competitor, The Secret Life of Pets performed well but wasn’t critically successful.
Here, the company behind that second film, Illumination Entertainment, try to get the genre right with Sing. But are we looking at the next superstar of the animated genre? Continue reading
Foreword by Adam Brannon: Drive-In cinema is something synonymous with American culture, but Ben Stonehouse had a vision to bring that traditional US pastime to the Blighty. I had a fascinating chat with him about the Moonlight Drive-In Cinema brand and how it came to be, which you can read in the following article.
I also enjoyed the Moonlight Drive-In Cinema experience first-hand when Movie Metropolis was offered tickets to watch Jurassic World in the UK’s City of Culture for 2017, Hull. You can read about my experience and the experiences of those I took with me early next week.
Voting in the 2017 Alternative Oscars is now closed, click here for the results.
They’re back! The Movie Metropolis Alternative Oscars have returned for a second edition after their phenomenal success last year.
For the uninitiated reading this, the MMAO were set up out of my distinct lack of faith in the Academy Awards. For years, the ceremony has forgotten about the films that the majority of the cinema-going public enjoy watching. Continue reading