It’s always a worry when a production company feels the need to force feed you the fact that a big-name is in a relatively minor role. In the case of Alita: Battle Angel, 20th Century Fox have been hammering home the fact that James Cameron is involved in a Producer capacity.
You have to feel a little sorry for director Robert Rodriguez as his name has been almost usurped by Cameron’s in the marketing push for this live-action adaptation of the classic manga. Of course, Cameron is too busy making the four Avatar sequels no-one actually cares about anymore and instead, entrusted his vision for Alita: Battle Angel to Rodriguez. He’s certainly an intriguing choice of director, but does the finished product work? Continue reading →
In the late 70s, the heady buzz surrounding anime that had been ushered into the West by titles such as the 1963 TV series Astro Boy and the 1965 Kimba the White Lion had started to fade. Video store shelves had begun to bulge with violent, gun-toting Lolita’s and cult followings of the hyper-sexual tentacle porn (hentai) had soured the reputation of the genre.
Then came Akira (1988) and with it a swath of landmark films that would guide the genre into a Western renaissance. The release of Perfect Blue by director Satoshi Kon in 1997 showcased a brash, gaudy, visually haunting feature that, in true Kon style, provided us with an uncomfortably accurate prophesier to the erosion of private life in the internet age.Continue reading →
In the first MM Top 5 for 2017, Rob Stoakes looks at the best anime films to have ever been released. Click the link for an in-depth review of director Rupert Sander’s Western take on Ghost in the Shell.
For more top 5 lists published frequently, head on over to the MM Top 5 page to see what topics we’ve already covered. Think you’ve found a topic we haven’t had a look at? Leave a comment below and Movie Metropolis will look into it. Continue reading →
Turning the beloved Ghost in the Shell manga franchise into a Hollywood film that’ll please picky Western audiences was always going to be a tough job for director Rupert Sanders (Snow White & the Huntsman).
Casting the central lead, The Major, proved even more difficult. When Scarlett Johansson’s name was attached to play the role, Hollywood was once again accused of white-washing, a tag lobbied at Gods of Egypt last year. The finished product is now in cinemas around the globe, but is it the disaster many predicted? Continue reading →
Remember Pokemon? In the mid-90s it had taken the world by storm, creating millions of eager fans in the process. It was a true global phenomenon, but as fads tend to do, Pokemon slipped into the shadows very slightly with only its die-hard followers remaining part of the cult.
Fast forward to 2016, Pokemon’s 20th year, and the unthinkable has happened. Pokemon GO, the map-based catching game has reignited the public’s interest in the cute little monsters and with a live-action film on the way, it seems fitting that Adam Brannon would look through the best movies related to the brand. Continue reading →