In the late 70s, the heady buzz surrounding anime that had been ushered into the West by titles such as the 1963 TV series Astro Boy and the 1965 Kimba the White Lion had started to fade. Video store shelves had begun to bulge with violent, gun-toting Lolita’s and cult followings of the hyper-sexual tentacle porn (hentai) had soured the reputation of the genre.
Then came Akira (1988) and with it a swath of landmark films that would guide the genre into a Western renaissance. The release of Perfect Blue by director Satoshi Kon in 1997 showcased a brash, gaudy, visually haunting feature that, in true Kon style, provided us with an uncomfortably accurate prophesier to the erosion of private life in the internet age. Continue reading