I got a Shudder subscription, the Netflix of horror. Shudder is a subscription service for the horror, thriller, and suspense genres. Enjoy exceptional originals, movies, TV series, podcasts, and live streaming events.
Here is a list of five films I watched on Shudder with no idea of what to expect from them. Continue reading →
As we are all well and truly in lockdown mode both in the UK and across the majority of the globe right now we don’t need to feel guilty about missing that party or turning up late to the pub for Friday night drinks, and can simply, Netflix and chill.
Here is a list I have put together of some compelling films currently available to watch on the streaming service, Netflix. There isn’t a particular theme here, but I have tried to cover all bases with the choices I have made. That being said you could say this list goes from darkest to lightest. Continue reading →
Like something from American Psycho (Mary Harron, 2000) and the film’s clever opening credits in which we see raspberry coulis dripping on a white dinner plate, looking a lot like blood. The Platform in a similar sense shows decadent cuisine that represents class structures and the violence that will prevail around these tiers. In its opening, e witness a high-class banquet preparation which is then contrasted by the people below, the ones who are imprisoned in a hole.
The hole is a strange high tech concept that is like solitary confinement but with changing inmates. We meet the main newcomer Goreng (Ivan Massagué) and an older grisly man, Trimagasi (Zorion Eguileor) who has nearly completed his journey and is no stranger to this setup. However, this is not a prison system as such, and we learn that Goreng has chosen to be here. As it is explained by the company’s Imoguiri, the familiar Spanish actor Antonia San Juan (All About My Mother), it is a “Vertical Self- Management Center”.Continue reading →
It is humbling going into a film knowing that there will be some kind of social message. As a horror enthusiast, I have always enjoyed this aspect of film. It only makes sense that taboo or harder to tackle subjects could easily be infused into the genre allowing for creativity or confrontational situations.
In this case, Faulty Roots, a short film written, directed and produced by 18-year-old Ella Greenwood has a message. Greenwood plays the main character of Lola who suffers from depression. She meets up with friend Zack (Sani Thabo) who has an incurable genetic illness and they form a bond. Continue reading →