Little Women is one of those stories that doesn’t age. It’s heartfelt, heartwrenching, and outright gorgeous. Even when the first feature length version was released back in 1994, it brought to life the sense of sisterhood that burns so brightly in the book. However, when Greta Gerwig announced her rendition of the beloved novel, complete with all-star cast, amazing composer and an Oscar-nominated director (herself), it’s not hard to see why people could barely contain their excitement.
If you haven’t read the book, please do. But if you don’t have time before you read this review, hereby commences the whistlestop tour of Little Women. It focuses around four sisters: Meg, the eldest; Jo, the most ‘boyish’; Beth, the most perfect; and Amy, the youngest and most divisive. It tracks their journey from youth to adulthood, along with their romances, heartbreaks, and tragedies. It’s one of those books that lingers like ink on your finger, like the smell of smoke after you blow out a candle. It sticks. Continue reading →
Ah, the beauty of childhood. Running around with your best friends, making your own fun. It’s highly likely, however, that your childhood didn’t involve being a part of the Hitler Youth. Well, in the newest movie from triple-threat, Taika Waititi, it features just that. As well as, you know, the Gestapo, public hangings, and actual Hitler himself.
It doesn’t go amiss to question why such a successful comedy filmmaker would tackle such a risky subject. What also doesn’t go amiss, however, is how the story of Jojo Rabbit is handled. The movie follows Jojo, a 10 year old lad born in Germany in WWII.
His dedication to the war effort is apparent from the off – he marches around in his Hitler Youth uniform, knife readied in his belt, with his imaginary friend (who just happens to be Waititi as Hitler) issues rallying cries of support for his tiny friend. His mother (Scarlett Johansson) is quick-witted, unapologetic, and fiendishly brave. It seems as though its them and Hitler against the world, until Jojo makes a discovery in his very own house. Continue reading →
Ah, Christmas. A time of joy, of family, of eating way too much food. Christmas movies are one of life’s simple pleasures, and even though you only get to watch them once a year, there’s a definite space in everyone’s heart for their favourite one. Netflix has well and truly jumped on the Christmas bandwagon, releasing their first movie in mid November. Named Klaus, it’s a testament to the origin of that infamous character we all know and love: Santa Claus.
Although it does ignore the religious aspects of Christmas, Klaus takes a darker turn. When a spoiled, rich postman arrives on the tiny island of Smeerensburg after a challenge set by his father, the luxuries he has become accustomed to are no longer within his reach. The island is split in two – two warring families rule the land, and it’s people are equally as hostile and violent. However, when he ventures north of the main town, he finds a cabin full of toys, and a strange man with a long white beard. Continue reading →
After a shoddily low amount of Christmas releases this year, Last Christmas feels like a twinkly fairy light shining in the dimmed light over older releases, bringing a fresh lease of life to the world of the Christmas movie. Written by the legendary Emma Thompson and Greg Wise, it explores Christmas through the eyes of George Michael’s music. Does it, however, give you the same feeling that the song Last Christmas does?
Last Christmas follows Kate, a lazy, grimy, unkempt woman, who works as an elf in an all year round Christmas shop. However, she has a dark past, and after overcoming a mysterious illness last year, she isn’t quite herself. After meeting Tom, a man described as having something ‘serial killery’ about him, Kate puts her trust in him to start the journey back to herself. Continue reading →
There are only so many times you can hear about a cinema classic, without giving in to the pressure of watching it. The guilt surrounding your lack of enthusiasm around a movie that appears to have turned the whole world upside down, dragging with it the expectations of film making as we have come to know it, forces you to need to watch something (even if you’re not really that bothered.) This is what happened to me with James Cameron’s Avatar: much to the chagrin of planet Earth…I didn’t like it.
As far as I was aware, as I walked into that cinema with my dad, not really fussed about if I saw the movie about blue people or just went home, this movie was going to be the best film I had ever seen. Even better than Clueless which, to me, was not an easy feat. Continue reading →