There are only so many times you can hear about a cinema classic, without giving in to the pressure of watching it. The guilt surrounding your lack of enthusiasm around a movie that appears to have turned the whole world upside down, dragging with it the expectations of film making as we have come to know it, forces you to need to watch something (even if you’re not really that bothered.) This is what happened to me with James Cameron’s Avatar: much to the chagrin of planet Earth…I didn’t like it.
As far as I was aware, as I walked into that cinema with my dad, not really fussed about if I saw the movie about blue people or just went home, this movie was going to be the best film I had ever seen. Even better than Clueless which, to me, was not an easy feat. Continue reading
As lovely as some of the older romantic comedies may be, a lot of them are a bit out of date nowadays. From the lack of feminist perspectives, to the multitude of damsels in distress, it’s refreshing when a movie strays from the status quo. One of Netflix’s newer releases, Someone Great, takes the appeal of a rom-com, but adds a 21st-century twist.
Someone Great follows Jenny, as she navigates the collapse of her nine-year long relationship on her last night in New York. Her two friends, Blair and Erin, help her enjoy her newly single self, whilst also making everlasting memories with each other on their very last evening together. Continue reading
Everyone has had a moment where they feel like they don’t belong. Where they feel like they’re not good enough. When they think the world is moving too fast, and they’re going too slowly. These are the themes that are tackled in Brie Larson’s directorial debut, Unicorn Store. However, has this Netflix movie got the magic it wants you to believe in?
The plot follows Kit (Brie Larson) and creative and whimsical girl, as she receives an invitation to The Store: a magical place, where you can get what you want and what you need. Curated by The Salesman (Samuel L. Jackson), Kit embarks on a journey to fulfil her childhood dreams. Continue reading
There are some movies that just become an instant hit. Everyone seems to love them – they’re all over the TV, a sequel is confirmed within 10 minutes of the movie being released, and everyone seems to be raving about this amazing and miraculous new film. This is what happened with The Greatest Showman (TGS). What makes it worse, is that it was a musical: even the radio wasn’t safe.
Now, I’m not denying the appeal of TGS, nor am I saying that it is badly made. However, the entire movie didn’t strike me as something to be ridiculously excited about, and the hype that has surrounded it ever since has slowly chipped away at my tolerance of the movie, as well as my will to live. Continue reading
Beyonce. A name that strikes even the most talented of people to the ground with sheer amazement. A triple threat. A mother. A woman. An icon. To add to the list now is also the title of filmmaker. Thanks to Netflix’s deal with the legendary singer, Beyonce’s 2018 Coachella headline set was brought to our TV screens around a year later, along with an album to match. Called Homecoming, it’s supposedly a celebration of everything Beyonce stands for – but did she bring it home, or did she miss the mark?
Homecoming is an amalgamation of everything Beyonce stands for. It’s a celebration of black culture, of talented black artists, and of her love for her fans. As Coachella’s first-ever black female headliner, Beyonce definitely had a difficult road ahead of her. Armed with her dancers, her band, and a slew of special guests, this film is a recollection of just how Queen Bey brought it home. Continue reading